A Quote by Toni Morrison

I think being an editor really helped me take other people's notes on my writing. I'd get a note like 'It's too wet' or 'The first couple chapters are good, but then the rest of the pages were so wet that they were completely illegible' or 'Did you dip this in Sprite? This smells like Sprite. Why would you dip your novel in Sprite?' And instead of pushing back, I'd listen. That's an incredibly important skill for a young writer to have.
A story, to me, has a particular sprite, like the angel of the spirit of that story - and it's my job to attend to what it wants to do. When I tell the story of Cinderella, the sprite does not want me to make it into an allegory of the fall of communism. The sprite would be unhappy if I did that.
I like Sprite a lot, but I try not to drink it. My mom doesn't want me to drink Sprite because it's unhealthy. So she always has me drink water, but it's hard not to!
When I was fifteen I wrote seven hundred pages of an incredibly bad novel - it's a very funny book I still like a lot. Then, when I was nineteen I wrote a couple hundred pages of another novel, which wasn't very good either. I was still determined to be a writer. And since I was a writer, and here I was twenty-nine years old and I wasn't a very good poet and I wasn't a very good novelist, I thought I would try writing a play, which seems to have worked out a little better.
I am intimidated by that eyeliner in a pot. You have to take a brush and wet it and then dip it in and get it straight. It's just a mess.
You get notes from two studios and a network instead of a studio and a network. Although we early on forced them all to do their notes together. I make them all talk to each other first. Because we went through the pains of getting notes from ABC and at the time it was Touchstone, that were opposite - and then CBS notes that were opposite again. So it was, you guys are going to have to work it out as to what is the most important note.
Sprite really does taste different everywhere! That's like a fact. Because of certain regulations, you can only put so many sugars.
If you are forced to confront your fears on a daily basis, they disintegrate, like illusions when viewed up close. Maybe being always protected made me more fearful, and I would later dip cautiously into the outside world, never allowing myself to be submerged completely, and always jerking back into the familiarity of my own life when my senses were overwhelmed. For years I would stand with a foot in each sphere, drawn to the exotic universe that lay on the other side of the portal, wrenched back by the warnings that sounded like alarm bells in my mind.
Me and Future, we did 'Dirty Sprite,' 'Ain't No Way Around It,' 'Turn on the Lights.' Every time we record, we're setting bars.
[He died of thirst?] That sounds, if I might say, like the greatest Sprite commercial ever.
A story, to me, has a particular sprite, like the angel of the spirit of that story - and it's my job to attend to what it wants to do.
I write on a computer, but I've run the complete gambit. When I was very young, I wrote with a ballpoint pen in school notebooks. Then I got pretentious and started writing with a dip pen on parchment (I wrote at least a novel-length poem that way). Moved on to a fountain pen. Then a typewriter, then an electric self-correct. Then someone gave me a word processor and I was amazed at being able to fit ten pages on one of those floppy discs.
I'm kinda racist... I don't really like dark butts too much... It's rare that I do dark butts. Like really rare... It's like, no darker than me. No darker than me. I love the pool test.... If you can be like 'Yo, baby. I met you in the club. Let's go back to my house. Jump in the pool exactly like you are.'-And you don't come looking better wet than you were before you got in the pool then that's not a good look.
When I first got back from the war, I said, 'I'm gonna write the Great American Novel about the Vietnam War.' So I sat down and wrote 1,700 pages of sheer psychotherapy drivel. It was first person, and there would be pages about wet socks and cold feet.
When I decided to write about my brother and friends, I was attempting to answer the question why. Why did they all die like that? Why so many of them? Why so close together? Why were they all so young? Why, especially, in the kinds of places where we are from? Why would they all die back to back to back to back? I feel like I was writing my way towards an answer in the memoir.
There are times I think of us all and I wish we were back in second grade. Not really that young. But I wish it felt like second grade. I’m not saying everyone was friends back then. But we all got along. There were groups, but they didn’t really divide. At the end of the day, your class was your class, and you felt like you were a part of it. You had your friends and you had the other kids, but you didn’t really hate anyone longer than a couple of hours. Everybody got a birthday card. In second grade, we were all in it together. Now we’re all apart.
I never drink wine. There's only one wine I like, but I forget what it's called. It tastes like Sprite.
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