A Quote by Tony Fadell
I don't want the iPod to be my defining thing.
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Right after the keynote in which Steve Jobs introduced the iPod Shuffle, I went backstage with one question in mind: What makes an iPod an iPod? By then - January 11, 2005 - I had staked my own claim to iPod expertise, having written a 'Newsweek' cover story about Apple's transformational music player, and I was writing a book on it.
I don't have an iPod. I mean, I have a couple. Doesn't everyone? But I don't use it. I need to because I go to the gym now, and I'm tired of listening to morning radio. I want some music! I do have a video iPod, but I don't use it either.
I've been looking at the iPod- the Apple iPod. One of the interesting things about the iPod, one of the things that people love most about it is not the technology; it's the box it comes in.
I've been looking at the iPod- the Apple iPod. One of the interesting things about the iPod, one of the things that people love most about it is not the technology; it's the box it comes in
I don't have an iPod. I don't get the whole iPod thing. Who has time to listen to that much music? If I had one, it would probably have Sinatra, Beatles, some '70s music, some '80s music, and that's it.
If you look at iPod, iPod wasn't viewed as a success, but today it's viewed as an overnight success. The iPhone was the same way. People were writing about there's no physical keyboard. Obviously nobody would want it.
I took my iPod to the Apple store here in Manhattan and asked them to replace the battery. And they explained to me that Apple does not offer a service to replace the battery in the iPod, and my best bet was to buy a new iPod.
If it weren't for acid, you might not have an IPod, and you definitely would not have some of the best music in your IPod.
What to do with a leading business that's challenged by a new technology wave without hurting an existing profit stream? The single greatest example of recent memory is Apple's willingness to decimate iPod sales by incorporating all the category-defining product's features into a new gizmo, the iPhone.
I always take an iPod and iPod speakers so that when you're in the hotel room you can have it on, or when you're at the beach you can put it on quietly. Music can really set the tone for your holiday.
The iPod was once so important to Apple that the estimable journalist Steven Levy wrote an entire book about it. And then, poof! The iPod was nearly gone.
If Apple ever lowers the iPod's price and develops Windows software for it, watch out: the invasion of the iPod people will surely begin in earnest.
The iPod has changed all that because sometimes I listen to an album from beginning to end, but now I put the stuff on shuffle and have the iPod tell me what I'm listening to, especially if I'm working out.
People are always defining and re-defining music. My style of playing has been characterized as smooth jazz and acid jazz. I listen as I play; I'm not caught up in defining the type of music I play.
Do we have Steve Jobs to thank for the iPod and iPod shuffle? iTunes? I think so. He changed the way we hear and think about music.
My iPod rumbles again. It's not actually an iPod. It doesn't play any music and the earbuds are just for show. It's a gadget that Sandor put together in his lab. It's my Mogadorian detector. I call it my iMog.
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