A Quote by Tony Harrison

I think poems belong as much in the news pages as the literary pages. A lot of people throw aside the literary pages! Whereas everybody looks at the news section. — © Tony Harrison
I think poems belong as much in the news pages as the literary pages. A lot of people throw aside the literary pages! Whereas everybody looks at the news section.
I wrote a lot of stuff quickly: pages and pages of notes that seemed pretty incoherent at first. Most of it was taken from the radio because -suddenly being a parent- I'd be confronted by the radio giving a news report every hour of the day.
I'm so used to artists saying to me, "Listen, I'm going to have five pages done next week," and then three weeks later I'm phoning them, begging them for two pages. And Stuart [Immonen]is a guy who will promise you five pages and deliver six pages, and the six pages are even better than you could have ever imagined.
I’ve thought for the last decade or so, the only actual place raw truth was seeping through in newspapers was on the Comics Pages. They were able to pull off intelligent social comment, pure truths not found elsewhere in the news pages, and had the ability to make it all funny, entertaining, and pertinent.
I've thought for the last decade or so, the only actual place raw truth was seeping through in newspapers was on the Comics Pages. They were able to pull off intelligent social comment, pure truths not found elsewhere in the news pages, and had the ability to make it all funny, entertaining, and pertinent.
The way 'The Icarus Girl' came about was by me just basically bragging it with a literary agent and telling him I'd written 150 pages when I'd only written 20. And I think it was when the agent e-mailed me back right the very next day after sending him the 20 pages and asking to see the other 130.
I once set myself a deadline: half a chapter a week, 20 minutes a day. The thought froze me instantly, like literary Botox. I returned to my non-schedule: sleeping, writing 20 minutes, and then back to sleep. Breakfast in bed, with juice congealing on the sill: pages and pages began to pour out again.
When you say 'design,' everybody thinks of magazine pages. So it's an emotive word. Everybody thinks it's how something looks, whereas for me, design is pretty much everything.
Once you understand that everybody's going to get connected, a lot of things follow from that. If everybody gets the Internet, they end up with a browser, so they look at web pages - but they can also leave comments, create web pages. They can even host their own server! So not only is everybody consuming, they can also produce.
one of Mr. [Thomas] Hardy's ancestors must have married a weeping willow. There are pages and pages in his collected poems which are simply plain narratives in ballad form of how an unenjoyable time was had by all.
What was a slap for ten pages of escapism, ten pages far from everything that made him unhappy, ten pages of real life instead of the monotony that other people called the real world?
At first, all is black and white. Black on white. That's where I'm walking, through pages. These pages. Sometimes it gets so that I have one foot in the pages and the words, and the other in what they speak of.
We don't sit down and look at the news pages and think, 'How could we do an episode about that?'
I'm confused about who the news belongs to. I always have it in my head that if your name's in the news, then the news should be paying you. Because it's your news and they're taking it and selling it as their product. ...If people didn't give the news their news, and if everybody kept their news to themselves, the news wouldn't have any news.
But I'm not a small-literary-novel kind of guy, and once I'd developed the world in the first couple of hundred pages, I felt that there was potential here to go on and write an engaging story set in that world. So that's what I did. This probably ruins things both for the people who want small literary novels and for those who want action-packed epics, but anyway, it's what I wrote.
I feel like, for me, reading Thomas Merton is like “Wait a minute, this is a rabbit hole. This isn’t a gateway or a ticket to anything except itself”. When you're a ways into it, you're five pages in, 20 pages in, 30 pages in, it seems like one of the more oxymoronic undertakings you could attempt.
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