A Quote by Tony Kushner

There's a kind of a fundamental irresponsibility in playwriting, and the strength of playwriting comes from that irresponsibility. — © Tony Kushner
There's a kind of a fundamental irresponsibility in playwriting, and the strength of playwriting comes from that irresponsibility.
Irresponsibility breeds irresponsibility. The finances of government are so central. You'd think that would be pretty obvious.
I've taught both screenwriting and playwriting, and playwriting is both much harder and much more rewarding. One can teach people how to tell a story in cinematic ways, but theater is a much more elusive craft.
John von Neumann gave me an interesting idea: that you don't have to be responsible for the world that you're in. So I have developed a very powerful sense of social irresponsibility as a result of von Neumann's advice. It's made me a very happy man ever since. But it was von Neumann who put the seed in that grew into my active irresponsibility!
A man's life is always dealing with permanence, that is the most dangerous kind of irresponsibility is to think of your doings as temporary.
Complaints about the social irresponsibility of the intellectual typically concern the intellectual's tendency to marginalize herself, to move out from one community by interior identification of herself with some other community - for example, another country or historical period... It is not clear that those who thus marginalize themselves can be criticized for social irresponsibility. One cannot be irresponsible toward a community of which one does not think of oneself as a member. Otherwise runaway slaves and tunnelers under the Berlin Wall would be irresponsible.
Playwriting isn't a calling so much as it is a hazing process.
For me, playwriting is sharing my experiences, telling my stories.
I did playwriting, creative writing, short story, novelization.
Playwriting, like begging in India, is an honorable but humbling profession.
One of the things he liked about playwriting as to any other kind of writing is that a playwright is a w-r-i-g-h-t, not a w-r-i-t-e; in other words, that a playwright is more of a craftsman than an artist of the big novel.
Anonymity breeds irresponsibility.
Playwriting gets into your blood and you can't stop it. At least not until the producers or the public tell you to.
We live in an era of organized irresponsibility.
I like playwriting because it's rooted in a single location with actors standing talking to each other.
Looking back, I spent a lot of time sitting in pubs when I should have been perfecting my playwriting.
The free market punishes irresponsibility. Government rewards it.
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