A Quote by Tony Palermo

You always go in with the intention of playing your best and knowing the material you're auditioning. — © Tony Palermo
You always go in with the intention of playing your best and knowing the material you're auditioning.
In terms of how the music developed, it was my normal process, which I would say is really a hybrid process of sketching on bits of paper, playing the piano, playing synthesisers, using the computer, staring out of the window, finding things I'd forgotten about, happy accidents, failed plans, best intentions, equipment failures. It is a multidimensional process incorporating a lot of planning and intention and a lot of randomness. Ultimately I just follow the material where it wants to go a lot of the time.
I tell anyone who is willing to listen that auditioning is the hardest part. Once you get the job, you have the job. You can go to work. You learn your lines. You learn your character. With auditioning, you can have five in a week with different people.
Your intention going in is to do the best you can. You go in and do your work, day to day, the best you can. But it's entirely up to the director and the editor and the producers and the studio how it turns out.
That's the biggest difference from college to NFL. Everybody's so talented at this level, the difference is knowing the game - knowing where to go with the ball in my position, knowing how to execute your job to the highest level. In college, you could just get by playing ball.
It's important to keep auditioning. If you're auditioning for something, you're auditioning for a role that people can't see you in and you need to convince them that you're the right person.
I think an editing style is something that is ascribed to the work after-the-fact. I don't think you go in with a particular intention, but I think if there is an integrity to the work and the material you are working with, the work comes from the nature of that material.
My advice always is to start very simple and master your timing and master the most simple beats that you can, and you just keep elevating from that. Trying to go right into playing fast is not necessarily the best way to go about it, because if you don't have your foundation locked in, it's hard to progress.
Knowing your deepest intention can be your guiding force in the creation of a better life.
I read the 'Nightflyers' novella and knowing that it was something that had been written by George R.R. Martin, knowing how those stories kind of go, I was really curious to see what happened to my character in the source material.
For me, always being ready and knowing that when I have my opportunity, I have to go out there and do my best. My whole career has been like that. I try to do my best in putting my focus in what I can control.
I've been auditioning since I'm nine years old. Honestly, most of my friends I've met in audition rooms because you're always auditioning.
I suppose the primary intention of a documentary photographer is to document facts. My work often does this but it is not the primary intention. My intention is to make the best pictorial image I can.
I think, with a negotiation, you have to go in knowing what you want, knowing what your bottom line is, and knowing what you might accept if you're absolutely pushed.
Knowing is not simply a material act, since the object that is known always conceals something beyond the empirical datum. All our knowledge, even the most simple, is always a minor miracle, since it can never be fully explained by the material instruments that we apply to it. In every truth there is something more than we would have expected, in the love that we receive there is always an element that surprises us.
Once you get out there and start playing basketball, whether the NBA or college or whatever arena you are playing in or who you are playing in front of, the juices start going, and you want to just go out there and play to the best of your abilities.
When you are playing great, it's wonderful. Because you and your partner just want to go out and go (rubbing hands together) 'Who we got?' and off you go. But when you're playing badly, or your trust is dented, or your self-belief is gone, it's the worst (freaking) week in the world!
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