A Quote by Tracey Emin

The reason why I'm popular as an artist in this country is because it suits the psyche of the nation at this time. Ten years ago, my work wouldn't have had any currency, any popularity at all. Before in this country, you had to be accepted. You had to be part of the group. Now it's probably more trendy to have a problem.
This country is going - be living better ten years from now than it is now. It will be living better in 20 years from now than ten years from now. The ingredients that made this country, you know, the miracle of the world - I mean we had a seven for one improvement in the average American standard of living in the 20th century.
More than 30 years ago, when I had embarked upon the fight against child labour, it was not even considered an issue worth any discussion. It was accepted as a way of life in India, much like it was in other countries. Today, no country or business or society can throw this issue away.
I have never had any hero in my life or in photography. I just travel, I look and everything influences me. Everything influences me. I am quite different now than I was 40 years ago. For 40 years I have been traveling. I never stay in one country more than three months. Why? Because I was interested in seeing, and if I stay longer I become blind.
He was an artist when he saw society: it never crossed his mind that society had to be like this; had any right, had any business being like this. A car in the street. Why? Why cars? This is what an artist has to be: harassed to the point of insanity or stupefaction by first principles.
We're absolutely American and distinctly so, I think. That's part of what people respond to outside of this country, part of the reason that we're such a huge band outside of the U.S., where we're not so popular now as we were 10 or 12 years ago.
Many years before, I had left a beautiful country and a rich nation and I returned to that country six years later to find it fundamentally changed and in a state of upheaval, and in great spiritual and material need.
As far as feeling freedom in my career now versus five years ago... I think if I feel any more free it's simply because of the experiences that I've had, and the wisdom I've accumulated from that time.
We [ with Russel Crowe] had an Arabic coach there [ in the Body of Lies] that was really helpful, because it was more so than any accent. You have to be so exact, and there's different dialects of Arabic from country to country so it was really, really difficult to tell you the truth. And one of the hardest things I've ever had to do language-wise, because it comes from the throat. It's different. And also learning about the customs and the culture and all that, so we had advisors for that sort of thing.
[United States] are sovereign country, they are an independent country, but this is their limit; they don't have to interfere in any other country. Because of this interference for the last fifty years, that's why they are very good only in creating problems, not in solving problems. That's the problem with the American role.
My books have done extremely well, I know. But I don't honestly feel much different from when I began to write. I still think we have a long way to go. I suppose my name means more in Nigeria today than it did five years ago. But I feel the job that literature should do in our community has not even started. It's not yet part of the life of the nation. We are still at the beginning. It's a big beginning, because now we are catching the next generation in the schools. When I was their age, I had nothing to read that had any relevance to my own environment.
We're the highest taxed nation in the world. Our middle class is just reeling from the taxes. And you know, if you think about it, the middle class and the workers of this country, who really built the country, they haven't had a raise in 12 years. They're making less now actually - to be even worse about it, they're making less now than they did 12 years ago.
I regret that I had to leave my country. But I had to do it in order to achieve and decide my own fate. I was forced into it. Democracy came about 15 years too late for me. But I have to say that it's there now, and Czech Republic is a fantastic country; it always was but just had the wrong regime at the top.
He had a voice that was the truth, raw and unfiltered. You can't get any realer, any more tortured or any more alive. No one can do what George Jones does, and that's why 50 years later, he still stands out as one of the greatest singers in any genre of all time.
Bands who are in their early 20s today, they are living in their own time and they have a series of parameters they have to work around. Ten years ago, our reality was spending a lot more time in obscurity before anyone really knew who we were. I don't feel like I have any real advice to give anybody who is starting a band today. As Mike Watt said, "You know, not everyone has the ability to be born at the same time." We wanted to be like R.E.M., but the reality is that 15 years after R.E.M. was putting out those records, the playing field had changed drastically as well.
Every time I ask for visa, they (USA) give me visa for five years. I have never had any problem in getting a visa to any nation.
Her family had of late been exceedingly fluctuating. For many years of her life she had had two sons; but the crime and annihilation of Edward a few weeks ago, had robbed her of one; the similar annihilation of Robert had left her for a fortnight without any; and now, by the resurrection of Edward, she had one again.
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