A Quote by Tracy Morgan
In New York, we get down. In L.A., everybody's pretty much standing around like they're at a keg stand. You got to get the party started, so I just take my shirt off.
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This is going to sound crazy, but the first thing I do when I get home is take off all my clothes - at home, just around the house. I take everything off. I can't stand clothes! I take everything off - my shoes, my socks, my watch, shirt, everything. I am completely naked.
Yeah, I could get an internet page and maybe get a thousand downloads of new songs but it's a lot of work. I'm 57 now, I really feel like I've got the T-shirt. I just like performing. It's instant. I go off, I do the show, it's over. I like that.
When I lived in New York, there wasn't as much TV or film around. I got asked to do a couple of indie films, just based on me being from The Smashing Pumpkins and A Perfect Circle. I did a couple of indie movies from Japan and one from Canada, and I thought it was an exciting, fun thing to do. I had a great time doing it, it was just that, in New York, there really wasn't as much. My studio in New York closed, so I moved out to L.A. and just started looking into composing as another thing to do, as a musician. I like it a lot. It's fun and it's a different way of thinking about music.
I have friends in New York that won't leave New York, and they're really talented people, but they'd rather take an acting class in New York than do a play in Florida or Boston. That's just weird to me, but they get into that I've-got-to-be-in-the-center-of-the-universe mentality. I'm not that way.
Sometimes people ask me to do stuff in New York, like "Can you read at this thing?" And I say, "Nooo, I can't just get on a plane with these two screaming children - I can't just get rid of them on such short notice and take vacation and fly over to New York."
We had some pretty good at-bats off Carpenter. We just couldn't find any holes. That's the way it goes sometimes. We were able to get some guys on but weren't able to get them in early. We did some little things right, we got some guys on, we got some walks. We take it one batter at a time and everybody tries to stay within their own limitations. We did that, we just didn't get the big hit to get them in.
At the end of the day, I think everybody takes for granted that they get up, get out of bed every morning - just the mere fact that they can stand in front of the mirror and brush their teeth and get in their car and take off? A lot of people take their health for granted.
I feel like my public life isn't necessarily my own. I'm starting to get used to how to maneuver and operate in New York in a way that I don't get stopped all the time. I just pretty much say "Thank you." But one of the things is to try to keep moving. Not to stop too long, because people try to get into a conversation with you all the time. The hardest thing is on the subway, or when people try to chase you down.
Everybody in New York City knows there's way more cars than parking spaces. You see cars driving in New York all hours of the night. Its like musical chairs except everybody sat down around 1964.
I just think some people don't like me. They don't like what I do or what I stand for or who I am. I catch criticism for doing things off the field and for getting the attention I get for playing in New York.
There's one scene where I took my t-shirt off. I was wearing a t-shirt and a hoodie, and I took my hoodie off and took my t-shirt off to give to the girl because she got her top dirty or something. It was like, why don't I just give her my hoodie - that makes no sense whatsoever! I just took off another layer just to take my top off.
When I started to take literature and poetry classes, I just started to get inspired by these new incredible works of art that I had never seen or heard of before. I wrote a lot of bad high-school poetry, just like pretty much everyone did, I think, at some point. For me, the inspiration never really stopped.
That always stuck with me. When I finished school in 2015, I started going to open calls in New York. But I was getting the same response every time: 'Get your measurements down. Take X inches off your thighs and hips.'
I've never gotten over what they call stagefright. I go through it every show. I'm pretty concerned, I'm pretty much thinking about the show. I never get completely comfortable with it, and I don't let the people around me get comfortable with it, in that I remind them that it's a new crowd out there, it's a new audience, and they haven't seen us before. So it's got to be like the first time we go on.
I think with success you do get a little more guarded and you start to change your friends. You become more isolated. And you start hanging around with people who have money! I think that's the biggest thing. Once you do get a bit of change in your pocket, you start hanging around with other people who have some change. It was kind of strange to all of a sudden go from one extreme-Manhattan-to where I went, upstate New York. But I did it because I was dying in the city. I couldn't take it. I couldn't take one more dinner party. I couldn't take one more party, period.
We barely had cell phones on '90210.' It started in the '90s. That's pretty much when fax machines came into play. When I first got the script for '90210' I had to come into New York to get it. It was not emailed to me; there was no email.
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