A Quote by Tracy Spiridakos
When I'm playing somebody, their wardrobe, for me, is completely transformative. You just step into who that person is with that.
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It's like people you see sometimes, and you can't imagine what it would be like to be that person, whether it's somebody in a wheelchair or somebody who can't talk. Only, I know that I'm that person to other people, maybe to every single person in that whole auditorium.
To me, though, I'm just me. An ordinary kid.
Movie stars exaggerate certain things to let the audience know they're just playing a character, as if they're saying, "Look at me, I'm not really an old man, I'm just playing one." Or "I'm not really a homosexual, I'm just playing a gay character. Or an alcoholic. Or somebody who's mentally impaired." They often do it very successfully and win awards for it.
It's powerfully important for me as a pro-choice person and person who supports Planned Parenthood to have Rob accept me as not a baby-killing horrible person. That's actually a massive step away from his original position, and he's taking a lot of heat in his world just for being my friend, just for hanging around with me.
The wardrobe is always the last piece of the puzzle. When you step into the clothing, that's the final step to figuring out that character.
It's cool to step away for a second and be my own person other than just somebody in a known family.
When I'm a director, I look at myself the actor as a completely different person. It's somebody else up there, an actor playing a role. I keep myself out of it.
If you're in a relationship and you try to trust somebody who's completely untrustworthy, when trust is the basis of any relationship and everyone else says not to trust, is love transformative.
It takes no prisoners. We had to completely change wardrobe for the girls because we had summer wardrobe set and it was so frigidly cold while we were shooting. And the bug population was through the roof, that summer. It was just silly! The fact that we even survived at all is shocking. The fact that we came out of it with a movie that I really like is awe-inspiring.
I realized, if I don't step into the spotlight, and the person next to me doesn't step in, and the people around me don't step in, then who will?
Love in all its forms is very difficult ... to express. It changes, obviously. If you’re young, and you’re romantically in love with somebody, and often if you’ve just met somebody, its crazy! It’s completely overwhelming. You can’t think of anything else. You just want to climb inside the other person and live under their pancreas. And then it mellows, somewhat... to the point where you can barely look at them... without feeling a mild distaste
We have two different ways of working. One is completely unstructured where somebody just starts playing and somebody joins in and then the other person joins in, and something starts to happen. That's occasionally what happens. What more often happens is that we settle on some sort of - a few sort of structural ideas, like, "Okay, when I put my finger up, we're all going to move to the extremes of our instruments. So, that means you can only play either very high or very low or both. And we're going to stay there until I take my finger down.
While playing complex characters you're staying in the same place but you're departing with your mind and soul and educating yourself until you can really understand such huge worlds. Those are the roles that keep loyal to the authenticity of what people are, and not caricatures. It's something that requires me to prepare for three, four months. I love the process of it, rather than, "Okay, I'm ready, I'm set with the wardrobe that somebody else chose for me."
To be honest, at that point, just being so fresh to L.A., I was in the mind-set of just getting work, at all costs. But, if you take a step back from it, it's just such a blessing to be able to play somebody like Glenn. Me being Asian American, it's nice to have something to play that's not so very stereotypical. It's also nice to have somebody that I identify with.
Mathematics is really an art, not a science. You could say science also is an art. So I would say the difference is something you can't really describe - you can only recognize. You hear somebody playing the violin, and it was Fritz Kreisler or it was somebody else, and you can tell the difference. It is so in almost every art. We just don't understand why it is that there are just a few people who are just completely off the scale and the rest of them are just mediocre. And we don't know why. But I say it's certainly true of mathematics.
It's human when you get the sense that somebody likes you or is attracted to you - unless you're just completely repulsed by the person - I find that my first reaction is to entertain the idea.
When you're playing a real person there's a balance between playing the person in the script and playing the person as he was in life. You have to be respectful and true to who that person was, but at the same time tell the story in the film.
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