A Quote by Travis Beacham
I remember starting working on the concept and the script for 'Pacific Rim' with a very, very conscious decision to say, 'I don't want any of these big sequences to take place in America,' because I feel like that's become so regular to the disaster genre, and then it sort of devolves into landmark stomping.
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Rap is like any other genre: There are the people who are very creative with it and do remarkable things... and then there's that whole quadrant that sounds alike. There's great stuff that's taken the genre to a new level over the years, and 'Regulate' was one of those tracks that was kind of a landmark.
Any actor I admire and enjoy working with - Sergi Lopez as the bad guy in 'Pan's Labyrinth,' or the little girl who played young Mako in 'Pacific Rim,' it makes no difference - I like actors with a very strong centre.
I don't want to say I drank the Kool-Aid because I'm definitely not religious and I don't buy into any religion at all. I'm anti, because I don't like anyone being discriminated against. But, I do think that I very much needed a sunny place for me to feel happier, and living in LA was almost like that sort of cleansing experience like I was being baptized in a river.
Every opportunity that comes your way, you can't take lightly. You have to take it very, very seriously, because the opportunities are limited. If you want to keep working, you can't be such an elitist, to say no, that's not good enough, not big enough, not smart enough, whatever.
I just want to say this. I want to say it gently but I want to say it firmly: There is a tendency for the world to say to America, ‘the big problems of the world are yours, you go and sort them out,’ and then to worry when America wants to sort them out.
If I could pick any story idea or script I had that I wanted everything to go exactly right for, it would probably be 'Pacific Rim.'
From day one working in TV, I have been very conscious of the way the Irish are represented, In every show I've been involved in I read the script, take out the Irishisms right away and say, 'I'll supply those'.
I felt like the script [of "I Don't Feel at Home in This World Anymore"] was so clear. It was sort of packed full of information. [Macon Blair] puts in a lot of discussion in the script. Characters are introduced very thoughtfully. The way he described walking into particular environments was very specific.
I understand we have, you know, a very unique situation, a very volatile election, two very high-profile candidates. You want to be very careful about what you do. But, you know, my sense is always - this is with respect to any decision maker - and that is you have procedures in place, when you follow those procedures, you're more likely to get the right outcome and you're less likely to be second guessed simply because you have the procedures and you take away the argument that there are politics involved if you follow the procedures.
The Trans-Pacific Partnership has the potential to reshape America's relationship with the nations of the Pacific Rim, enhance U.S. leadership in this critically important region, and provide a major boost to our economy.
I have finally become my own genre, and now that's what publishers want. I have a wonderful publisher now, Mulholland, very innovated, very fine people working there.
A building does not have to be an important work of architecture to become a first-rate landmark. Landmarks are not created by architects. They are fashioned by those who encounter them after they are built. The essential feature of a landmark is not its design, but the place it holds in a city's memory. Compared to the place it occupies in social history, a landmark's artistic qualities are incidental.
I don't make a conscious effort to choose any particular genre. If I like the script, I go ahead with the project.
To have conscious communication with the angels - we all are continuously and unconsciously connecting with our angels, whether we know it or not - you would start in a place you feel comfortable, all by yourself, so you don't feel self-conscious. Then, just think of something you would like help with. For example, say, "Angels, I want a wonderful new job that exercises all my talents and everything I've learned - so I will wake up on Monday mornings and say 'Yippee!' - and that comfortably pays all my bills, plus some." You ask, and then the next step is to let go.
I grew up in the '80s, and you had these original, big-budget sci-fi adventure things all the time, not based on any source material - you'd have 'Gremlins,' 'Back to the Future,' 'E.T.' 'Ghostbusters,' the list goes on and on. I would love it so much if 'Pacific Rim' was but the first in a new wave of that sort of thing.
I think there are a lot of artists that are very traditional. I think someone can be a fan of someone like Josh Turner and then turn around and be a big fan of someone like Taylor Swift because, at the end of the day, it's all about those songs. I feel like country music has the best songwriting and the best songs of any genre.
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