A Quote by Trevor Rabin
The process of composing the film score for each movie is completely different. They all have their own personality and their own completely different life, but there's never been a formula. Each time, it's a new thing.
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My idea is just to do something different each time; the next thing I do has to be completely different to the thing I've done before - that's what I try and do, because you know, I'm an actor, not a film star.
[Ruslan Provodnikov] s a fantastic fighter but in terms of his style and Manny's [ Pacquiao] they are completely different and the preparations for each are completely different but that is no different for me because I am always fighting guys with different styles.
The two designs are completely different. The first is totally futuristic, the second is more classical. You can of course get very excited about doing something completely out of the ordinary, just like the Olympic stadium in its time. But each to his or her own taste.
For me it's a new experience every single time, because - The dance community has a great strength in synergizing immediately. So we recognize that opposed to being competition, which we are in the audition process, once we're on the job is about cohesion, it's about striving to highlight each individual in their own element, while also creating something that is visually tantalizing to the audience. While the ingredients of each movie has been different, the recipe for success is the same, which is to click immediately and make the best possible movie.
In nature everything is valuable, everything has its place. The rose, the daisy, the lark, the squirrel, each is different but beautiful. Each has its own expression. Each flower its' own fragrance. Each bird its' own song. So you too have your own unique melody.
Everything I've wanted to turn into a film becomes something new and different when it becomes a movie... Each time I work with an author, I say to them, 'A book and a movie are different things.'
I personally find that each instalment has a different director, cast and crew, and I've also been in a different season in my life for each of them, so I feel like each movie is a unique experience that centres around my undying passion for music and dance.
Even if there was an opportunity to school yourself in different characters - characters that have distinct personalities which may be totally different from yours, you have got to completely divorce your own personality to be able to go over to the other personality.
The through line of the way I like to work, what makes me different, and what I like to do for every project - although they are completely different from each other - is I like to do a lot of research and create a unique landscape and unique soundscape for each movie.
I always imagined that I would learn something each time that I would take to a new project, then I realized that each new project poses a completely different challenge.
I have my own past and my own personality. I'm going to relate to the material in a completely different way than somebody else might.
Each championship has felt different in its own way, I guess because I've been in different place of my life; I've gone through different things.
Some of our songs are empowering, but I feel like more so than our music, it's who we are. We're four women who are completely different ethnicities, completely different body types, completely different walks of life and opinions.
Each environment is different, each job is different, and each realm of creativity that they give you is different. You try to do the best you can and put as much time into it as you can, but different jobs have different circumstances come about.
Every project is different. Adapting 'Robopocalypse' would be totally different than adapting, say, 'Hunger Games.' Each project has its own life and its own identity. You get into trouble when you think there's one single way to approach everything. Each project, there's a different way to attack it.
I understand that each one of us works at a different speed, and has a slightly different process. I understand that these writers are painstaking, wanting each sentence-each word-to carry weight... I know it’s not laziness, but respect for the work, and I understand from my own work that haste makes waste. But I also understand that life is short, and that in the end, none of us is prolific. The creative spark dims, and then death puts it out. William Shakespeare, for instance, hasn’t produced a new play for 400 years. That, my friends, is a long dry spell.
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