A Quote by Troy Aikman
Not long ago, every time I did a picture shoot for a magazine, the photographer would ask me to show up wearing jeans and cowboy boots. They seemed to think I was a hillbilly. Now it's different. Now they're not quite sure what to make of me. And I show up wearing whatever I want.
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It never mattered to me that people in school didn't think that country music was cool, and they made fun of me for it - though it did matter to me that I was not wearing the clothes that everybody was wearing at that moment. But at some point, I was just like, 'I like wearing sundresses and cowboy boots.'
I'm not going to do red jeans. No green jeans. I don't do Vans and that's the style right now. I don't want to show my socks when I'm wearing jeans.
I've gone from wearing jeans and cowboy boots to wearing miniskirts and gold tassels and high heels. I'm sure I'm not going to dress that way forever. It's going to change again and again.
Back in my time, and I sound old now, it was black and white boots and that was it. Now you've got snoods, people wearing headphones when they are doing interviews, which I find disrespectful, pink boots, green boots, you name it they've got it, tights - they'll be wearing skirts next.
The first picture of me that I know of was me in the crib wearing a pair of cowboy boots.
My personal style has developed from growing up in Oklahoma, middle America, where I was wearing jeans and cowboy boots and where people were not running around in miniskirts.
What I'm wearing changes everything about how the show goes. If I'm wearing blue jeans and flannel, it's going to be a country show, and I'm going to get my twang on. But if I'm wearing a flapper dress, fringe or sequins, I'm rocking out, Tina Turner style.
I tend to think that the whole concept of, 'I saw this TV show, and someone was wearing this sweater, and now I'm going to buy that,' it's something that's been talked about for a long time, but I've never really seen it work. When people are watching an entertainment show, they want to be entertained.
When I'm not doing the show, and the work has stopped, I walk into a restaurant and I'm shy; yet, when I'm in the show, when people come up with their phones and want to take my picture, I can handle it because it's almost like I'm wearing an armour.
I did a show a long, long time ago called 'Cooking Mexican'. It was a studio show as opposed to on-location like the one I do now. Before my first show, I was a cooking instructor, and I did a whole lot of classes for home cooks about Mexican food.
When I do see a picture of myself that has been touched up too much, I do get a bit sad... it makes me look like a hypocrite. It breaks my heart. I would rather shoot a magazine and shoot my flaws, but that's not up to me.
I think it goes back to me being a recording mixer and engineer. Because of all the technology now you can make music yourself and a lot of people are doing that now. I started out doing that a long time ago and I found when I did that I came up with a unique sound.
My advice is you've got to make sure you wear the clothes and not [let] the clothes wear you. It's quite simple in a way. Don't wear something you totally feel uncomfortable with, but take some chances. Play around a bit. I felt very uncomfortable in suits when I was younger, so what I just started doing was wearing suits when I was going to dinner. I used to overdress a little bit so I got used to wearing suits. Now wearing a suit is like wearing a track suit for me. So it's all good.
I go out and I meet people after the show, I take every picture that they ask for, I sign every autograph that they want. You know, there's merchandise for sale, but people don't have to buy anything. I'll sign their tickets, I'll sign whatever they want me to, I'll get a picture with them and I'll stay there with them as long as they want.
They did ask me to do 'Dancing With The Stars;' I said I can do one show, but on that show you have to come up with a new number every week, and I told them that I think I'm a little past that stage.
[Nikola Tesla] would do it through lucid dreaming. He would, in a sense, dream up the engine, forget about it, come back, and then discover where it was wearing. You know, where the parts were wearing out. Now, that's inner visualization and a half! And that was the secret of why he did so many inventions.
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