A Quote by Troy Aikman

As a kid, I used to practice my signature, working on the way I wanted to sign my autograph. — © Troy Aikman
As a kid, I used to practice my signature, working on the way I wanted to sign my autograph.
I try to sign for as many kids as possible. Kids come first, and I'll always sign for a kid before an adult. It's funny, because I was never big into autographs as a kid. The only player who I ever wanted an autograph from was Dave Winfield.
I sign every autograph I can for kids because I remember myself at that age. I think it's ridiculous that some guys won't sign for a kid.
I had my autograph down by the age of 13. I used to sign it everywhere.
When I was first asked for an autograph, I felt so uncomfortable that I just wrote, 'Tig's Autograph,' and from then on, that's what I write when I sign my name.
I'd say probably Dale Earnhardt was the biggest autograph I got when I was a kid, mainly because it was so hard to get it. His lines were way longer and it nearly took an act of God to get his autograph.
I envied women with signature hair-dos, signature perfumes, signature sign-offs. Novelists who tell Vogue Magazine: “I can’t live without my Smythson notebook, Pomegranate Noir cologne by Jo Malone and Frette sheets”. In the grip of madness, materialism begins to look like an admirable belief system.
Success is when your signature becomes an autograph.
Seven years I worked at the Polish deli. It's a very slow deli. So I sat around a lot on my stool at the cashier. And I'd sign my autograph on all the bags I'd put the milk in. Just everyday, practice my autograph. And the manager of the store would take some of them and tape them against the wall. And he'd say, "Some day, I'm telling you, it will be worth something." And I'm like 13, going, "Really?!" And when I go back there, he still has them on the wall. It's very cute.
I didn't notice him coming, but he didn't seem to be looking for an autograph signature
When I was a kid, I remember I used to hide under the bed sometimes because I didn't want to go to practice. Even when I didn't want to go to practice, it could be pouring rain outside, and I'd be like, 'Yes, no practice today,' and my mom would be there, and we were still going, and we'd have practice under the pavilion.
As a kid, I used to love going to the arcade. I used to tell my parents I was working on my hand-eye coordination. It was probably just a way to get more quarters from them.
The artist has the power to signoff the work by deconstructing the work itself: I've finished this work now and I'll sign it and relegate the painting to simply something that services my signature. The painting becomes the colorful backdrop of the signature.
As a kid, I used to dream about airplanes before I ever flew in one. I really knew, when I started photographing, I wanted it to be a way of knowing different cultures, not just in other countries but in this country, too, and I knew I wanted to enter other lives. I knew I wanted to be a voyeur.
SUCCESS DEFINITION-- WHEN OUR SIGNATURE CHANGES TO AUTOGRAPH ,this marks the success.
The humor for me is how far above your head the signature is - it's dislocated from the sign of the artist in such a distinct way that it could almost be a self-portrait of a sort.
The way anything is developed is through practice practice practice practice practice practice practice practice practice and more practice.
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