A Quote by Troy Deeney
Whenever you play against Fred - we certainly did it - you let him get it because he has to take three or four touches. He doesn't know how to do one or two touches. Anyone that watches his game, he gets it facing the wrong way, turns, turns, chops, chops and he'll give you the ball three or four times a game.
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I write in the mornings, two or three hours every day, and then at least four times a week I play in a duplicate game at a bridge club. I try to go to tournaments three, four, or five times a year.
When you play Futures and Challengers for three, four years, you're playing in obscurity. You play the game for other reasons. You don't play the game for money or attention. You play the game because you like to play. You play the game because you enjoy the journey.
The reality is it's still in our hands. We have to play four real good games against the Angels. If we take three of four we're still two back and then we'd need help. We'd still be breathing, but we'd need help. We'll shoot all our bullets to try and win that game (Monday) and worry about the next day when we get there.
I acted three times with Fred MacMurray, three times with Martin and Lewis, four times with Rock Hudson. Three times with Glenn Ford.
When you don't have that confidence to play three, four hours with a good backhand against Rafa, is just matter of time to get down your game.
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
One game, you can get 15 touches, and the next game you might not touch the ball.
Nobody knows how fast he is until they play him. He has games when everything he touches turns to gold.
(on Michael Owen)
You know, you take a little infant and you turn on the music mobile on their crib and you find that if you give them a music mobile which turns on automatically versus a music mobile in which - if by chance their little legs or their little hands accidentally touches it - turns on they're so much more excited if by chance it turns on because they touched it, so that desire for control over their environment is... really appears from very early on and if you look at children's first words, "no, yes."
Bach was so mathematical and I liked this idea that you could have one instrument going, 'One, two, three, four', and then you have another instrument going, [double time] 'One, two, three four', and another instrument going, [doubled again] 'One, two, three, four, one, two, three, four', so you could add twos and fours and eighths, and that happens a lot in Bach.
I remember the reason why did I start my golf. We had a four day game I was playing for Trinidad against the Leeward Islands. They had in their ranks Winston Benjamin, Curtly Ambrose and Kenneth Benjamin. To add to it, the track was a green top. The four day game lasted two days, so I had two days to play golf.
I regard any behavior we indulge in as a game. The soul is beyond not only three-dimensional space but beyond the illusion of linear time. Any method we use to move through three- or four- dimensional space is a game. It doesn't matter how serious we take it, or how serious its consequences are.
The man who has learned that three plus one are four doesn't have to go through a proof of that assertion with coins, or dice, or chess pieces, or pencils. He knows it, and that's that. He cannot conceive a different sum. There are mathematicians who say that three plus one is a tautology for four, a different way of saying "four" ... If three plus one can be two, or fourteen, then reason is madness.
LITTLE DOGS RHAPSODY IN THE NIGHT (PERCY THREE) He puts his cheek against mine and makes small, expressive sounds. And when I'm awake, or awake enough he turns upside down, his four paws in the air and his eyes dark and fervent. Tell me you love me, he says. Tell me again. Could there be a sweeter arrangement? Over and over he gets to ask it. I get to tell.
A man is at the bar, drunk. I pick him up off the floor, and offer to take him home. On the way to my car, he falls down three times. When I get to his house, I help him out of the car, and on the way to the front door, he falls down four more times. I ring the bell and say, Here's your husband! The man's wife says, Where's his wheelchair?
It's easy to think you can get discovered on the street, but I developed my chops on the stage - four years of theater in high school, and then another four in college.
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