A Quote by Ty Burrell
It's kind of a crazy thing with kid actors because a lot of them get hired without people really knowing if they're good or not. They get hired for the way they look at a really young age. You also have your fingers crossed around kid actors... because the lessons they learn on set aren't always the best. You can really get whatever you want.
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Comedians work great as actors because they're good under pressure. With a lot of actors, you have to make them feel like everything's going really well to get a good performance out of them. But, if you have a comedian on the set, you can tell them, 'Hey, you really are screwing this up,' and then they just get better.
The more shows that are produced, the more writers are hired, producers are hired, actors are hired, directors are hired, it means the more people will get employed. It's better for the economy. It's a fantastic thing.
You can't ask the guy with the checkbook to always be the person. So, we actors have to try. And believe me, it's not just young people who are struggling with this, trying to get things of substance made because of the proliferation of technology that it's just harder and harder to get things that really matter made. But they are being done and you just have to fight the good fight and try to... if you have something that you have written, you have to do your best to try to get it made in whatever way you can.
People thought I was a really raw rapper that hated everything - a really sour person - but really I'm just a good, all-around music-making kid and I'm really happy. That really, I feel, painted my image to a lot of people. My music now, some people get sour over it because it's really happy, it's poppy, but I'm just telling them that that image from way back then was me feeling uncomfortable and now I'm comfortable.
I wanted to learn a little bit about acting, not because I thought I'd find a star vehicle and set the world on fire, but I thought the discipline of it would be good for me. I met a good coach, and I joined her class - with a lot of hungry young actors who really didn't acre if I was a rock 'n' roll singer or not. I started to learn to get a focus, without having to jump up and down every few seconds.
Most things I get hired on, I get hired because I improvise something funny, or they just think I look weird.
I write in the studio, I don't sit around with a piano or a guitar and write songs. I get satisfaction out of that because I can finish the song really quickly. I can use whatever momentum I have. I've got to put it down, develop it, and get it as far [as I can], because the excitement of the moment of when you get that idea - you want to try and hold it and build on it and really gain strength from it. Being in the studio and writing songs like that is really the best way.
When you're casting, you have to do quite a bit of research. But I always think you have to do it with a pinch of salt with actors, because it's so unfair to pigeonhole them and so often they are. I try to be as open as possible and if people are really interested and really want to have a go, then let's get them in and see them.
Kids want you to take them to whatever kid movie is opening, and you just hope it's good because you're going to buy a ticket, no matter what. If it's no good, you kind of drape your arm over your kid so they don't get smashed, and you take a little nap.
When actors get a bad name for diva behavior - I've never seen it. Because my experience with people who are really famous actors is that they work really hard.
We're all pretty proud of it, and we're also standing around, scratching our heads and going, "Wow, this is really good." With the caliber of actors that we have, you really can't got wrong. Not only is it fun, but it's good. It's been really, really great, in that aspect. I totally get what they're doing.
I get really worried, like if they say, 'Take vocal lessons,' or something because it's kind of like I used to really love to draw when I was a kid and then I took like an art class - because everyone said, 'Oh, you're so good, you should take a class and maybe you can be really good,' and then I went to the class and then they showed me how to use a ruler and perspective and all this stuff and it totally made me not want to do it at all.
I moved around a lot as a kid, and when you're always entering new places at that age, you kind of have to learn how to adapt yourself, and I felt a really powerful way to do that was to make people laugh.
When I got into the movie business, working with actors was the one thing I was really weak at. I didn't know what to say to actors. They scared me and intimidated me. The actors that I've worked with who have had a lot of experience, or who I've even grown up watching as a kid, were really scary. I was like, "What am I going to say to this person?" But, I've matured. It's fun. I understand what actors do now.
I got hired by the Cards when I was 21, and I could handle the job, but for the most part, I got hired because I was somebody's kid. When you start that way, you have a lot to prove.
I think I'm good with actors. I like directing actors. I also like to show up and just do an acting gig. Where I'm just a hired gun, I don't have to have an opinion on anything.I never got involved in all this stuff because I wanted to control stuff; I got involved in writing and producing because I wasn't getting interesting acting gigs. In a way I'm grateful that I didn't get interesting roles, because it made me pull my finger out and do some work.
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