A Quote by A. O. Scott
Subtle, funny and touching, with a striking downbeat authenticity. Director Craig Zobel is the real thing.
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You know when I was younger I used to look at Downbeat Magazine and I figured anybody in Downbeat must be making a living.
Craigslist is about authenticity. Craig has paid his dues, and people respect him.
There's this thing about authenticity when you rap, right? Whether or not it's real, it has to feel real.
David Zucker was great! Those guys are funny. I mean, they are funny. There's a wonderful thing about doing that kind of work like Superhero Movie: You have to be real, but you also have to get the laugh. There you are, your director and the producers are right there at the monitors, and you either get the laugh or you don't. And so you just do it until you get the laugh.
You all right, man?' This should be my name. I could be like a super hero: You All Right Man. Ah...' I stumble. Don't bug Craig,' Ronny is like. 'He's in the Craig zone. He's Craig-ing out.
It's a surreal thing because you are there and made up and dressed up as if you're making the film. You do the scene, which is going to be in the film, and I met him [Daniel Craig] and I'm working with the director, and so it is different to just a normal audition.
Of course my base and my favorite thing is striking, and I will do a lot of striking because I love this game.
Art is a funny thing. It's a communicative medium. It really is, and it works outside of literature, the movies, stage, it has its own realm. It's like when you say "The Arts," those are all the arts, dance, theater, ballet. So within that set of areas of expression, we have visual art and it is visual and it's about looking at something and seeing it in the light with our eyes, maybe touching it or not touching it, or wanting to touch it, not being able to touch it.
The thing about For Better or Worse is the only thing that made me an okay director for that is that I have a sense of humor, and it was supposed to be funny.
It didn't escape Karou's notice that he found subtle ways of touching her.
The striking thing about New Girl is that under all the comedy, theres something about the emotions and reactions that feels very real - much more real than other sitcoms. Like - maybe everybody is sort of laid bare in different ways.
The striking thing about 'New Girl' is that under all the comedy, there's something about the emotions and reactions that feels very real - much more real than other sitcoms. Like - maybe everybody is sort of laid bare in different ways.
Argo might well be studied as a bait-and-switch masterwork: In showing the capture of the American Embassy in Tehran, Ben Affleck first made a fetish of authenticity, then served up a shamelessly Hollywood, and wholly fictional climax, then capped the whole thing off with a coda that was essentially a tribute to his movie's authenticity, complete with side-by-side photos of the actors and their near-identical real-life counterparts. Well done, sir!
There is something about the vocal quality of the actors who can really do it. Jim Burrows, the great sitcom director who directed Will & Grace and Cheers, when an actor comes in to audition for him, he never looks at them. He just listens. Because funny is funny. You can be fooled by the eye, but if your performance is funny to the ear, it will be funny.
Comedy should never be over-analysed. It's either funny or it isn't. There's a subtle difference between those who say funny things and those who say things funny.
The real trick for me as a director is to make sure that people don't start pushing because the harder you push as a perform the less funny it becomes.
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