A Quote by Vermin Supreme
I've scrubbed many, many landmarks. I scrubbed the Kremlin back in '98. We had a mandatory-toothbrushing parade; we had the text of the mandatory-toothbrush law translated into Russian. And we had like 30 Russians; we had musicians; we had the giant toothbrushes. The police came and told us to stop, and we stopped.
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By the age of 14, I had stopped doing homework and stopped studying - as soon as I had any spare time, I was up to the local snooker club. I was fortunate my parents never forced me to stop playing snooker and told me to carry on at school. Nowadays, that probably isn't the best advice. I basically had nothing else to fall back on.
My life had become a catastrophe. I had no idea how to turn it around. My band had broken up. I had almost lost my family. My whole life had devolved into a disaster. I believe that the police officer who stopped me at three a.m. that morning saved my life.
One thing is certain: for many of those who came back from WWII, the music of Frank Sinatra was no consolation for their losses. Some had lost friends. Some had lost wives and lovers. All had lost portions of their youth. More important to the Sinatra career the girls started marrying the men who came home. Bobby socks vanished from many closets. The girls who wore them had no need anymore for imaginary lovers; they had husbands. Nothing is more embarrassing to grownups than the passions of adolescence, and for many, Frank Sinatra was the passion.
You had many jazz musicians who lived in the United States, who had a hard time being accepted over here and had to play in sort of these inferior type dives.
But, finally, I had to open my eyes. I had to stop keeping secrets. The truth, thankfully, is insistent. What I saw then made action necessary. I had to see people for who they were. I had to understand why I made the choices I did. Why I had given them my loyalty. I had to make changed. I had to stop allowing love to be dangerous. I had to learn how to protect myself. But first… I had to look
Up until Trump announced his candidacy, the conventional wisdom was that you had to be a professional politician in order to run. You had to have a background that was politically scrubbed. In other words, smart people who didn't live perfect lives could never run.
The first music-learning thing that I took seriously was piano lessons when I was a kid. I guess that was probably the only time that I was forced to perform music, because I had piano recitals, and my school also had mandatory music classes that had some performing required.
I had been reading about [John] Calvin for years and had been studying the English Renaissance for many more years, and it had never occurred to me to think of them together. I learned that Calvin was the most widely read writer in England in Shakespeare's lifetime. He was translated and published in many editions.
There were so many bands in New Orleans. But most of the musicians had day jobs, you know -- trades. They were bricklayers and carpenters and cigar makers and plasterers. Some had little businesses of their own -- coal and wood and vegetable stores. Some worked on the cotton exchange and some were porters. They had to work at other trades 'cause there were so many musicians, so many bands. It was the most musical town in the country.
Before I wrote The Power of Now, I had a vision that I had already written the book and that it was affecting the world. I had a sense there was already a book somehow in existence. I drew a circle on a piece of paper and it said "book." Then I wrote something about the effect the book had on the world, how it influenced my life and other people's lives, and how it came to be translated into many languages affecting hundreds of thousands of people.
Casting is always critical but in this case, 'The Way Back', I was looking internationally to a degree for an interesting mix of gentlemen, Irish, Polish, Russian and American. Not many people had the qualifications, people who would play the game, particular to this industry. So I had to research amongst the cast. They had to be very very prepared as we had to start shooting as soon as we could, there wasn't any time to talk, and there would only be three or four takes.
I used to lie between cool, clean sheets at night after I'd had a bath, after I had washed my hair and scrubbed my knuckles and finger-nails and teeth. Then I could lie quite still in the dark with my face to the window with the trees in it, and talk to God.
When I look back at where I came from, at the school I attended... my classmates for the most part haven't had successful paths - many have had a difficult, chaotic path.
Blomkvist had indeed had many brief relationships. He knew he was reasonably good-looking, but he had never considered himself exceptionally attractive. But he had often been told that he had something that made women interested in him . . .that he radiated self-confidence and security at the same time, that he had the ability to make women feel at ease. Going to bed with him was not threatening or complicated, but it might be erotically enjoyable. And that, according to Blomkvist, was as it should be.
I had the sense when I looked back over my life I would actually see a mess of decisions, a few of which I had thought about, some of which I had sort of stumbled on and many that I had no control over whatsoever.
Back in my day in the WWF oh.. the WW EEEEE, we had it all. We had Garbage men, we had clowns, we had them all. But we had one thing that was real, and that was me
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