A Quote by Urfi Javed
I don't think filmmakers want me in their projects.
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I just want to work with good filmmakers and do good projects that mean something to me and play interesting characters. That's really it.
I look for projects with filmmakers who want to make things that give the audience a fresh experience.
For me to start working, projects have to catch my attention whether they are here (in the USA) or in Mexico. All I want is to be involved in projects that are interesting to me, projects that are a challenge wherever they may happen, in Spain, in China, or in Hollywood.
I think filmmakers, in general... There are some awesome, really great filmmakers - but on the whole, filmmakers, actors, I think they are the biggest bunch of whiny, over-paid babies on the planet.
After I got my head tonsured, I stopped taking up projects, and have been very choosy because my hairstyle doesn't suit every role. A few filmmakers even asked me to act with a wig, but I don't want to do that.
I don't find myself lobbying for projects. Filmmakers almost always come to me.
I dont find myself lobbying for projects. Filmmakers almost always come to me.
I think people want to watch me in films, and that's why filmmakers want to work with me and tell stories.
The things and the projects that I want to be a part of are not the ones that I get offered. I get offered a lot, but it's not what I'm interested in. So I have to fight very hard for the things that I want to do and to work with the filmmakers that I want to work with.
My journalist sensibilities have guided me toward the types of projects I've gone for, even though the projects have been fairly diverse. It always has to have that interesting to attract me, I think.
I want to see more young filmmakers, and specifically filmmakers who have a unique voice. I wouldn't mind seeing less of the attempt to force-feed people what others think they want, if that makes sense - whatever the formula is that some people seem to operate under, like needing a certain star, or needing a certain thing in order to get a piece made.
The filmmakers are very much in their own kind of bubble. It was kind of a revelation to me and I realized why so many of the great filmmakers are one of a kind people. You know, they have a vision. They may be influenced by other filmmakers, but they don't work with them on anything.
I tried [being a mogul]. It bores me. I don't really want to produce other people's movies. Because they're either grown-up filmmakers like Steven Soderbergh or Kathryn Bigelow that didn't really need me - and I've produced both of them. It's fun to sit around with them and be collegial, but they don't need me. They can make the film without me. I make my own stuff. There are tons and tons of other things I'm interested in that have nothing to do with movies or are documentary projects.
My ultimate goal is actually to direct and develop projects. I don't want them to be big projects with a lot of special effects because that's not really what appeals to me.
What other people think of me is not my business. What I do is what I do. How people see me doesn't change what I decide to do. I don't choose projects so people don't see me as one thing or another. I choose projects that excite me. I think the problem is that people refuse to understand what drag is outside of their own belief system.
The economy is rough. I think that affects everyone from big filmmakers to tiny filmmakers.
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