A Quote by Ursula K. Le Guin
Fake realism is the escapist literature of our time. And probably the ultimate escapist reading is that masterpiece of total unreality, the daily stock market report.
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It's time to start recognizing that not all escapist entertainment is created equal. And that some of it isn't even entertainment. "Miss March" is, to use the vernacular of the escapist moviegoer, the biggest pile of crap I've seen in ages.
We have escapist fiction, so why not escapist biography?
All serious art is being destroyed by commerce. Most people don't want art to be disturbing. They want it to be escapist. I don't think art should be escapist. That's a waste of time.
When I was a teenager I was a total romantic escapist. My world was books.
I don't see why escapist literature shouldn't also be a work of art.
One filmmaker makes films that are deep, intellectual, profound and confrontational. And the other one makes purely vacuous, escapist films. I'm not sure the one who makes escapist films is making a poorer contribution than the one who makes the deeper films.
I like big escapist films. It's odd because the type of comedian I am and the things I do when I'm writing and directing myself usually deal with the darker side of the human psyche and excruciating social faux pas. I often deal in taboos and the subjects I do as a stand-up are quite challenging. But my film roles have been much more fun and escapist.
The cry that 'fantasy is escapist' compared to the novel is only an echo of the older cry that novels are 'escapist' compared with biography, and to both cries one should make the same answer: that freedom to invent outweighs loyalty to mere happenstance, the accidents of history; and good readers should know how to filter a general applicability from a particular story.
Speculators are obsessed with predicting: guessing the direction of stock prices. Every morning on cable television, every afternoon on the stock market report, every weekend in Barron's, every week in dozens of market newsletters, and whenever business people get together. In reality, no one knows what the market will do; trying to predict it is a waste of time, and investing based upon that prediction is a purely speculative undertaking.
Escapist literature gets a bad rap. But I think escape is important for a lot of people in a lot of places.
I feel that humor, just like Fred Astaire dance numbers or these lightweight musicals, gives you a little oasis. You are in this horrible world and for an hour and a half you duck into a dark room and it's air-conditioned and the sun is not blinding you and you leave the terror of the universe behind and you are completely transported into an escapist situation. The women are beautiful, the men are witty and heroic, nobody has terrible problems and this is a delightful escapist thing, and you leave the theater refreshed.
You can't just have stuff that is free and escapist, you have to have stuff that is confrontational as well. You need stuff that is mystical but you need the realism too.
In the 1987 stock market crash, according to the conclusions of the official Brady report, colossal sales of stock index futures by so-called portfolio insurers - whose investment strategies depended entirely on these derivatives - greatly exacerbated the 500-point market decline.
Now is not the time to shrink from the challenge of saving our only home in the universe. Now is not the time to pull into ourselves, retreating into either survivalist or escapist mode. To the contrary, this is the time for titans, not turtles. Now is the time to open our arms, expand our horizons, and dream big. Big problems require big solutions.
The single biggest misconception about games is that they're an escapist waste of time.
All the more a cheesy musical seems fake, so it requires a level of honesty to be injected or an acknowledgement of that which is fake and fun about musicals, and it isn't necessarily escapist. Like there are great musicals like Once, which feel very almost like a mumblecore musical. I love Once. It's great.
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