A Quote by Vanessa Kirby

I do tend to find when you're playing characters, often - just for the time you're playing them - there are sides of your personality that get stronger because you draw on them more.
I still get stage fright horribly. I still get nervous. I do tend to find when you're playing characters, often - just for the time you're playing them - there are sides of your personality that get stronger because you draw on them more.
I have played several characters that are crabby and cranky. I don't know if I'm just not a very well-developed human being or if I don't know myself very well, but I tend to find I can take on elements of the characters that I'm playing. When I was playing a character like Becky Freeley in Miss Guided found that I was insanely positive and happy all the time.
It has to be said that the bad guys are often more interesting than the good guys because you get to indulge part of your nature that hopefully gets subsumed most of the time. But I just like playing interesting characters, and variety's the spice of that, as it is with life, I suppose.
Playing main-draw matches helps, and playing in front of crowds and playing in big matches definitely helps, getting them all under your belt.
The way I evolved was playing straight-ahead jazz into playing more fusion-type stuff just because I was young enough to get into it. As I get older, I find myself coming back to where I kind of started.
The great thing about acting is, because you're constantly playing other characters and exploring yourself because you have to find those other characters in yourself, you sort of broaden as a person over your life because you've been other people. So you can empathize with many different sorts of people. It's great in that way and I hope, therefore, as you get older as an actor, you not only get more interesting because you lived more, but you get a bit wiser as a person.
I think the U.S. Open just doesn't suit my personality. I'm more of a calm person. There, it's noisy all day, cars are everywhere, and it takes so long to get to the site. I know that those things shouldn't matter when you're playing, but I just find they drain your energy.
For me, there is a stigma attached to playing beautiful parts. They are often empty characters whom the action happens around. I'm more drawn to characters with a complex internal life, who have a burning frustration underneath that keeps them going.
Playing is just about feeling. Playing isn't necessarily about misery. Playing isn't necessarily about happiness. But it's just about letting yourself feel all those things that you have already on the inside of you, but you're all the time trying to push them aside because they don't make for polite conversation or something.
I get to draw what I like to draw, basically people hangin' around, and write very humanistic kinds of situations and characters. But I do also like to draw adventure stories - more in terms of drawing them than writing them - and letting my imagination go wild.
I've been trying to take this journey over the last four years of getting away from playing manipulative and villainous characters and playing characters that are affected by what happens to them as opposed to unaffected.
I just think that playing in a championship game and playing in every game in March Madness, that's just more time for critics to watch you and more time for them to nitpick at what you don't do well or what they feel you don't do well.
In writing a novel, the writer must be able to identify emotionally and intellectually with two or three or four contradicting perspectives and give each of them very a convincing voice. It's like playing tennis with yourself and you have to be on both sides of the yard. You have to be on both sides, or all sides if there are more than two sides.
I think with actors, we tend to get rid of characters - and not get rid of them as in discard them or throw them away, but it's just that you take that jacket off because you're going to be putting a different jacket on.
At No 3 you have to take a bit more time to find your feet, but at No 5 you take much less time to get adjusted because you have already observed your openers, the No 3 and No 4 batsmen and you get a fair idea of how the wicket is playing.
You can never judge your characters. You have to love them, really care about them. You're never just playing a villain or the crazy lady.
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