A Quote by Vera Wang
Certainly a big challenge for me with evening-wear is to make it look modern and artistic and avant-garde. The very concept of a ball gown is not in itself a modern concept, and women need to wear that for a certain presence in Hollywood. I'm also aware that a starlet might go to more than one place that night so the piece could also offer, maybe not a revolution, but an evolution.
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If you try consciously to be avant-garde, it's a little dangerous, like the present state of modern painting, where dealers try to be avant-garde, and under this pretext, painters take some old scraps and call it avant-garde.
Long kurtas, especially the pink and yellow ones, that I had worn in 'Big Boss 8' - they are very comfortable to wear. You can wear them with a just a belt for your day outings or lunches for stylish and classy look. Or you can also team it up with a churidar and dupatta for an evening outing to look more classy.
I like to wear things that are daring but also not seem too avant-garde.
The majority of people probably think that Damien Hirst is avant-garde. Look at the amount of people who say 'What is this rubbish? Who is running our galleries? Why are they spending all this money on the avant-garde?' That doesn't make it avant-garde to me.
More than one branch of the avant-garde, claiming to break with the bourgeois vision and mode of production, remains tied to it in spite of its denials and ex-communications. We are far from having overcome bourgeois thought or practices, despite the socialist "intermission" between the Russian revolution and the collapse of the Berlin wall. The avant-garde has lost its radical nature. On the other hand, "bourgeois theatre" is sometimes subtle enough to flirt with the avant-garde or to make "intelligent boulevard theatre.
I guess you could say Alexander the Great was a man who completely transported me and moved me and inspired me because of his idealism, and I'd go back to the Greeks, and I always liked Homer and all the philosophers and their way of thinking and their concept of honor. I think their concept of honor does apply to the modern age, and certain people that walk around are pre-Christian.
I want to find a way to reach young women emotionally and also to start providing clothing for them so that they can wear the same things their thin friends can wear. I really want to do evening wear and prom dresses for these girls.
I really didn't know what to think about the veil. Deep down I was very religious but as a family we were very modern and avant-garde. I was born with religion. At the age of six I was already sure I was the last prophet. This was few years before the revolution.
As the haves and have-nots split further and further apart, destabilization ultimately leads to revolution, not evolution. If we're playing the evolution vs. revolution game, we are closer to revolution than we are to evolution in my concept.
My work first engaged with the early russian avant-garde; the paintings of moholy-nagy, el lissitzky's 'prouns' and naum gabo's sculptures, but in particular with the work of kasimir malevitch - he was an early influence for me as a representative of the modern avant-garde intersection between art and design.
The modern woman has a modern life, and most of us work. There's no time to change before we go out in the evening, so a dress should always look appropriate for day and night.
The fashion I've acquired over the years is so sacred to me - from costumes to couture, high fashion to punk wear I've collected from my secret international hot spots. I keep everything in an enormous archive in Hollywood. The clothes are on mannequins, also on hangers and in boxes with a photo of each piece, and there's a Web site where I can go to look through everything. It's too big - I could never sort through it myself! But these garments tell the stories of my life.
My writing is called exotic or avant-garde because I write about rural places. Has it really come to this, that if you write about the country you are avant-garde? How did this happen? Modern agriculture and spaces are still so relevant.
I was struggling to find a way to make evening clothes more deconstructed. I like to think that I translated the Latin concept in a more modern way. I don't think that I was that literal.
For my own style, I love vintage. 60's and 70's are my favorite. I love baby doll dresses and the soft colors. I try to mix a little bit of modern into that - maybe I'll wear it with boots. At my school we wear a uniform, but we have one day a week we can wear whatever we want.
It's kind of hard when your moniker is "bridal" and "evening" for people to understand that I don't run around in a bridal gown all day, nor do I run around in an evening gown. I run around in clothes that resonate for me. I wanted to do those clothes in my ready-to-wear collection - because I don't know how you can be a woman designing for other women and not relate it back to yourself.
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