A Quote by Victor Hugo
Art moves. Hence its civilizing power.
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Christianity is the greatest civilizing, moulding, uplifting power on this globe.
Like looking down on a lubricious chess set, isn't it? The king moves in tiny steps, with no direction, like a drunkard trying to avoid the archer's bolt. The others work their strategies and wait for the old man to fall. He has no power, yet all power moves in his orbit and to his mad whim. Do you know there's no fool piece on the chessboard, Kent?" "Methinks the fool is the player, the mind above the moves.
For bigs, we usually have three simple moves - and the hook-shot is one of those moves that's a forgotten art. But it's always been an effective move in our league.
We have a very physical performance art. A lot of times, when you want to achieve a certain emotion, you have to use professional wrestling ingredients, which are moves or a sequence of moves.
The power which the Hellenes and even the Italians possessed, of civilizing and assimilating to themselves the nations susceptible of culture with whom they came into contact, was wholly wanting in the Phoenicians.
It is always from the depths of its impotence that each power center draws its power, hence their extreme maliciousness, and vanity
I think art is the only political power, the only revolutionary power, the only evolutionary power, the only power to free humankind form all repression. I say not that art has already realized this, on the contrary, and because it has not, it has to be developed as a weapon, at first there are radical levels, then you can speak about special details.
I want to teach the post basic moves: turn and bank; drop-step and shoot a power layup; turn to the middle, pump-fake, one-bounce layup; and I want to teach five power moves. They are power layup straight up; pump-fake one bounce to the other side power layup; pogo when you catch it up high, keep it up high, and shoot it; and then the two-hand follow shot.
The two revolutions, I mean the annual revolutions of the declination and of the centre of the Earth, are not completely equal; that is the return of the declination to its original value is slightly ahead of the period of the centre. Hence it necessarily follows that the equinoxes and solstices seem to anticipate their timing, not because the sphere of the fixed stars moves to the east, but rather the equatorial circle moves to the west, being at an angle to the plane of the ecliptic in proportion to the declination of the axis of the terrestrial globe.
The power of story is potent and that's why historical fiction can be an extraordinarily significant way of teaching people logical truth propositions, moves you along, moves your emotions as well as informs your intellect.
In music, they're not endlessly rewriting Beethoven's 'Third Symphony;' in visual art, they aren't painting portraits of 16th-century royalty. Art moves forward.
We live in capitalism, its power seems inescapable - but then, so did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words.
Now the power of the imagination is a unifying power, hence the force of metaphor; and the poet is the supreme manipulator of metaphor... the world needs the unifying power of the imagination. The two things that give it best are poetry and religion.
Hence, instead of Man Thinking, we have the bookworm. Hence, the book-learned class, who value books, as such; not as related to nature and the human constitution, but as making a sort of Third Estate with the world and the soul. Hence, the restorers of readings, the emendators, the bibliomaniacs of all degrees.
My personal philosophy is, talk about whatever you want on a show, but it better be good. And especially if it's something that challenges folks. You don't want to be on the side of power to demean a group that is at risk. Because that's propaganda. Whenever you're on the side of power, you're not making art. Art upends power.
Where the good begins.- Where the poor power of the eye can no longer see the evil impulse as such because it has become too subtle, man posits the realm of goodness; and the feeling that we have now entered the realm of goodness excites all those impulses which had been threatened and limited by the evil impulses, like the feeling of security, of comfort, of benevolence. Hence, the duller the eye, the more extensive the good. Hence the eternal cheerfulness of the common people and of children. Hence the gloominess and grief - akin to a bad conscience - of the great thinkers.
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