A Quote by Victor Hugo

Human intelligence discovered a way of perpetuating itself, one not only more durable and more resistant than architecture, but also simpler and easier. Architecture was dethroned. The stone letters of Orpheus gave way to the lead letters of Gutenburg. The book will kill the edifice.
We have only to see a few letters of the alphabet spelling our name in the sand to recognize at once the work of an intelligent agent. How much more likely, then is the existence of an intelligent Creator behind human DNA, the colossal biological database that contains no fewer than 3.5 billion "letters the longest "word" yet discovered?"
When we come to understand architecture as the essential nature of all harmonious structure we will see that it is the architecture of music that inspired Bach and Beethoven, the architecture of painting that is inspiring Picasso as it inspired Velasquez, that it is the architecture of life itself that is the inspiration of the great poets and philosophers.
All but universally, human architecture values front elevations over back entrances, public spaces over private. Danny Jessup says that this aspect of architecture is also a reflection of human nature, that most people care more about their appearance than they do about their souls.
Most open letters undoubtedly come from a good place, rising out of genuine outrage or concern or care. There is, admittedly, also a smugness to most open letters: a sense that we, as the writers of such letters, know better than those to whom the letters are addressed. We will impart our opinions to you, with or without your consent.
Architecture is art. I don't think you should say that too much, but it is art. I mean, architecture is many, many things. Architecture is science, is technology, is geography, is typography, is anthropology, is sociology, is art, is history. You know all this comes together. Architecture is a kind of bouillabaisse, an incredible bouillabaisse. And, by the way, architecture is also a very polluted art in the sense that it's polluted by life, and by the complexity of things.
I have an interest in architecture, although more theoretically than anything else. I think architecture tries to understand what the body wants to occupy, not the body itself.
I wrote a huge number of letters that spring: one a week to Naoko, several to Reiko, and several more to Midori. I wrote letters in the classroom, I wrote letters at my desk at home with Seagull in my lap, I wrote letters at empty tables during my breaks at the Italian restaurant. It was as if I were writing letters to hold together the pieces of my crumbling life.
Architecture is my work, and I've spent my whole life at a drawing board, but life is more important than architecture. What matters is to improve human beings.
O ay, letters - I had letters - I am persecuted with letters - I hate letters - nobody knows how to write letters; and yet one has 'em, one does not know why - they serve one to pin up one's hair.
Architecture is my work, and Ive spent my whole life at a drawing board, but life is more important than architecture. What matters is to improve human beings.
Architecture concerns itself only with those characters of an edifice which are above and beyond its common use.
For me, architecture is an art the same as painting is an art or sculpture is an art. Yet, architecture moves a step beyond painting and sculpture because it is more than using materials. Architecture responds to functional outputs and environmental factors. Yet, fundamentally, it is important for me to stress the art in architecture to bring harmony.
Blockchain technology isn't just a more efficient way to settle securities. It will fundamentally change market structures, and maybe even the architecture of the Internet itself.
The creation of all those symbols and logotypes which are an ever more striking feature of the world in which we live calls for a new and fresh approach to lettering in the part of the designer. In these logotypes the combination of letters can be more or less obvious; but only deliberately contrived encounters of elements and confrontations of values can lead beyond the letters to new forms of expression.
Just like Lara Jean in my book 'To All the Boys I've Loved Before,' I used to write letters to boys I was in love with - letters full of emotion and longing and also recrimination - but they were for my eyes only.
Somehow, architecture alters the way we think about the world and the way we behave. Any serious architecture, as a litmus test, has to be that.
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