A Quote by Victor LaValle

William Kowalski is the kind of storyteller you don’t see quite enough these days. The yarn spinner with a generous soul. The Hundred Hearts is a moving, humane adventure about the price of personal connections and the costs of sacrifice. I tore through this bad boy in two short nights.
The price of Christmas toys is outrageous - a hundred dollars, two hundred dollars for video games for the youngsters. I remember a Christmas years ago when my son was a kid. I bought him a tank. It was about a hundred dollars, a lot of money in those days. It was the kind of tank you could actually get inside and ride in. He played in the box it came in. It taught me a very valuable lesson. Next year he got a box. And I got a hundred dollars' worth of scotch.
William Waltz will take me through 'the buzz and clamor in a forest of hearts.' Adventures in the Lost Interiors of America is an adventure, I will go on this adventure with Waltz as a skillful, faithful, compass-true guide. I love this book.
In the first centuries of Christianity the hungry were fed at a personal sacrifice, the naked were clothed at a personal sacrifice, the homeless were sheltered at a personal sacrifice... And the pagans used to say about the Christians, "See how they love each other." In our own day the poor are no longer fed, clothed, and sheltered at a personal sacrifice, but at the expense of the taxpayers. And because of this the pagans say about the Christians, "See how they pass the buck."
We have never considered any costs as fixed. Therefore we first reduce the price to a point where we believe more sales will result. Then we go ahead and try to make the price. We do not bother about the costs. The new price forces the cost down.
The way to start writing isn't by writing at all. But by living. It isn't about creating something from thin air, but about documenting our personal feelings about the things that we see. Or to put it crudely, how are you going to be a storyteller if you have no story to tell? Perhaps, in the end, there are no such things as creative people; they are only sharp observers with sensitive hearts.
In Revelation 12, we see a pure, holy woman giving birth to a son - a corporate son who brings victory by the blood of Jesus, their testimony and sacrifice. My vision is to see that kind of church moving in the authority, the sacrifice and love of Jesus.
There was a time before I felt I was a real writer, when I was a yarn spinner and I just wanted to tell story until it was over. But then there came a time where I was like, 'No, I want to understand something through writing this that I might have not understood before. I want people to come away with something to think about.'
I love the novel as a form, as an adventure of mind and soul. Really, I absolutely love writing them; they consume my days and nights - what can I say? But I am an avid film student, too: I watch a movie every night.
All days are nights to see till I see thee, And nights bright days when dreams do show thee me.
Being at a World Cup is a sacrifice? Twenty days is a sacrifice? What about the people there working for the team, up at five every morning? That's sacrifice. It's not a sacrifice to play.
I'm a yarnaholic. That means I have more yarn stashed away than any one person could possibly use in three or four lifetimes. There's something inspiring about yarn that makes me feel I could never have enough.
The one thing I know for a fact - some days are bad, some days are okay, and I'll go with it. If it's bad, I stay in and ride the wave and somehow, God gets me through and I'm fine. Dealing with grief doesn't work from one person to the other, it's so personal.
For a spinner growing up in England, it is challenging to become an off-spinner. The line and length needs to be altered on each of the four days of county cricket or five days of Test matches. The pitches in England don't have a set pattern. It changes with each day, and accordingly, the length varies.
I'm trying to make sure that the visual connections between the disparate elements are strong enough for the viewer to keep moving through the work. It's in paying attention to those hundreds of details that the flow of the line will guide an audience through the narrative in a way that will make them enter it enough to engage with it, and perhaps construct their own narrative.
William Shakespeare was the most remarkable storyteller that the world has ever known. Homer told of adventure and men at war, Sophocles and Tolstoy told of tragedies and of people in trouble. Terence and Mark Twain told cosmic stories, Dickens told melodramatic ones, Plutarch told histories and Hans Christian Andersen told fairy tales. But Shakespeare told every kind of story – comedy, tragedy, history, melodrama, adventure, love stories and fairy tales – and each of them so well that they have become immortal. In all the world of storytelling he has become the greatest name.
Two-hundred forty horsepower isn't enough to move me anymore. Enough to move my body, yes, but not my soul.
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