A Quote by Victor LaValle

One of the most widely read novels by a black American is Ralph Ellison's 'Invisible Man.' It is his masterwork - it won the National Book Award in 1953 and catapulted my man to the highest levels of literary esteem.
Arnold Rampersad's stunningly revealing biography has, at long last, unveiled-in magisterial prose-the very complex and vulnerable man behind Ralph Ellison's own masks and myths. One of the nation's most brilliant writers emerges as all the more fascinating precisely because he was so very human. Painstakingly researched and compellingly written, Ralph Ellison is a masterwork of the genre of literary biography.
The project of Ralph Ellison's 'Invisible Man' is exactly that: to assert the beautiful, bountiful, chaotic complexity of one black American male. And, by extension, all black American males.
Like Richard Ellmann on James Joyce, Arnold Rampersad on Ralph Ellison is in a class of its own. His masterful and magisterial book is the most powerful and profound treatment of Ellison's undeniable artistic genius, deep personal flaws, and controversial political evolution. And he reveals an Ellison unbeknownst to all of us. From now on, all serious scholarship on Ellison must begin with Rampersad's instant and inimitable classic in literary biography.
The condition of visibility as it relates to black people was crucial. Connected to that, I've always been interested in science fiction and horror films and was acutely aware of the political and social implications of Ralph Ellison's description of invisibility as it relates to black people, as opposed to the kind of retinal invisibility that H.G. Wells described in his novel Invisible Man.
Whatever was said about Ralph Ellison, 'Invisible Man' was considered untouchable.
'Invisible Man' holds such an honored place in African-American literature that Ralph Ellison didn't have to write anything else to break bread with the remembered dead. But he did try to go on, because if a writer has done one great thing, then the pressures to do another are intense.
Literary men now routinely tell their readers about their divorces. One literary man who reviews books wrote, in reviewing a study of Ruskin, that he had never read a book by Ruskin but that the study confirmed him in his belief that he didn't want to read a book by Ruskin. This man very often writes about his family life.
Ralph Ellison is a classic work of erudition, grace, and elegance. Rampersad offers us an Ellison whose gifts and warts orbit the same universe of creative genius. Like Ellison's work, Rampersad's text wrestles eloquently with difficult truths about race, politics, and American life.
A few of Ellison's short stories from the 1940s and 1950s were widely anthologized over the years. After a while, it became generally known that he was at work on another novel. Though he remained aware ever afterward of the authority 'Invisible Man' gave to him, no second novel followed his brilliant debut in 1952.
Adrienne Rich was one of the most widely-read and influential poets of her time, a leading feminist, known especially for her politically-engaged verse. Her best-known volume, "Diving into the Wreck," won the National Book Award in 1973.
[Mark] Twain is pointing at you. You, the reader of the book one hundred and thirty years ago and today. That is what has made it a great American novel and the most widely read book in American Literature around the world today.
In [Ralph] Ellison's case, it's more psychological than it is phenomenal, and it's conditioned by anger, animosity, and lack of desire to engage with the black body. There was always simultaneity that had nothing to do with visuality. You can be there and not be there at the same time and be fully visible all the time. That's what really struck me about Ellison .
One thing that the white man can never give the black man is self respect. The black man in the ghettos, have to start self correcting his own material moral, and spiritual defects, and evil. The black man need to start his own program to get rid of drunkenness, drug addiction and prostitution. The black man in America has to lift up his own sense of values.
It is not woman who claims the highest in man. It is a man's own religious soul that drives him on beyond women, to his supreme activity. For his highest, man is responsible to God alone.
Misquotation is, in fact, the pride and privilege of the learned. A widely- read man never quotes accurately, for the rather obvious reason that he has read too widely.
Claudia Rankine's book-length poem 'Citizen' was nominated for National Book Critics Circle awards in the categories of poetry and criticism. It is one of the most devastating takes on American culture I have read in a long time, laying bare the stakes of being black in a country long ambivalent about our presence here.
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