A Quote by Vincent Canby
There's no doubt about it. Arcadia is Tom Stoppard's richest, most ravishing comedy to date, a play of wit, intellect, language, brio and, new for him, emotion. It's like a dream of levitation: you're instantaneously aloft, soaring, banking, doing loop-the-loops and then, when you think you're about to plummet to earth, swooping to a gentle touchdown of not easily described sweetness and sorrow.
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If you're doing something like 'Arcadia' by Tom Stoppard, which has been done millions and millions of times, and it's been played some unbelievably well-respected actors, there's a lot more pressure there. But I try not to think about all the other people who have done it before me. You've got to try and be original.
Enchanting is not the word that would immediately spring to mind when describing a play that deals with fractal geometry, iterated algorithms, chaos theory and the second law of thermodynamics, but it is a perfect fit for Tom Stoppard's astonishing 1993 play, which is as beautiful as it is brilliant. This is one Stoppard drama that you don't have to be Einstein to understand -- you can feel it as well as think it. (...) Breathtaking, exhilarating and deeply satisfying.
I didn't understand art, until one day Tom Brady took me to the museum, and we looked at the Picasso, and he said, 'Rob, that's a touchdown.' We looked at the Rembrandt and Tom said, 'Rob, that's another touchdown.' We looked at the Vermeer and Tom said, 'Rob, that's another touchdown.' And I said, 'No, Tom, that's just a field goal.'
I embody 'Ravishing.' I come out in the most ravishing dress. I have a ravishing entrance. I'm ravishing people's hearts.
Not a time with him passed that I didn't say, "You should've been a comedian." [Vincent Price] was hilarious. He was just such a quick, funny wit. I don't think most people would think that about him, and it was really surprising to me. But man, the guy had a brilliant wit.
I've always wanted to be in a play by Tom Stoppard.
It's fun for me to couple emotion with comedy. I think it helps comedy. I think a lot of times American comedies don't play on emotion too much.
So welcome 'Damsels in Distress,' an exhilarating gift of a comedy about college, the female intellect, the limitless male ego, inventing a new dance, and suicide prevention... This is the world as Stillman sees it, and to luxuriate for two hours in that retro bubble of sparkling wit is a pleasure not to be missed.
People talk about me in 'Arcadia' and I think I was okay in it but I've given better performances in other productions that didn't have the same impact. But I knew 'Arcadia' was going to be an event and I wanted to be part of it.
And new Philosophy calls all in doubt, the element of fire is quite put out; the Sun is lost, and the earth, and no mans wit can well direct him where to look for it.
People talk about me in Arcadia and I think I was okay in it but Ive given better performances in other productions that didnt have the same impact. But I knew Arcadia was going to be an event and I wanted to be part of it.
I don't play comedy as comedy. That would be the biggest trap. I think about the characters and their situations. Then you don't have to worry where the laugh is going to be. But comedy is harder than drama.
At all periods of the [English] language it is difficult to assign a beginning date to most new words and meanings. They tend to slip into the language silently, and are placed in date order only when scholars subsequently get to work.
Possibilities are like the wings of birds; they allow man to soar and to climb to the heavens. And facts are like the atmosphere against which those wings must beat, and without which the soaring bird will surely plummet back to earth.
I think a lot of the instincts you have doing comedy are really the same for doing drama, in that it's essentially about listening. The way I approach comedy, is you have to commit to everything as if it's a dramatic role, meaning you play it straight.
At the drabber moments of my life (swilling some excrement from the steps, for instance, or rooting with a bent coat-hanger down a blocked sink) thoughts occur like 'I bet Tom Stoppard doesn't have to do this' or There is no doubt David Hare would have deputed this to an underling.'
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