A Quote by Vincent Cassel
If the guy behind the camera is not good, the pictures are bad. It's still you, and it's the same lines and everything, but it doesn't work.
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I think, very often, we're addicted to procedurals, those good guy/bad guy shows, and the 'problem' with procedurals is they all follow the same formula: The bad guy does his thing, the good guy goes after him, and in most cases, the good guy figures out who did it and catches him.
You know, I think a lot of times what happens when we as actors know we're playing a bad guy is we get into bad guy mode. You know what, man? In real life, bad people do good things too and good people do bad things. So you don't necessarily have to be the stereotypical bad guy to still do bad things.
Everyone likes to be the heel. Everyone wants to be the bad guy. I mean, I love being the bad guy, but the crowd doesn't want me to be a bad guy. In real life, I'm too much of a good guy to be a bad guy.
If I could live my life all over I'd do everything the same; the film in my camera would remain the same; there's no way lord, to leave this love behind.
Everything can be brought to the extreme. Food is good, overeating is bad. Possessions are good, hoarding is bad. Guilt is good, obsessing about guilt is bad. But I think guilt is good because I'm like, "Hey, I just stabbed that guy and I feel pretty good."
The manipulation of what's actually portrayed in the media, through the legal system, is pretty shocking, actually. You can see how someone you would never know can make a public figure look like a bad guy or a good guy just from the little information they let you know. My advice is to research everything. Don't just hide behind your Facebook posts. Research everything.
You can do bad parts in good pictures or good parts in bad pictures and maybe get a little personal satisfaction. But the key to it all is good parts in good pictures.
I actually think film and TV are sort of the same thing now. To me they're all motion pictures. There's a camera, a script, other actors and a director. Doing a sitcom is a little different. It's kind of a hybrid, half movie, half play, presented in a proscenium fashion - the camera's on one side of the line, the set on the other, the audience sitting behind the cameras.
I'm the sort of person who takes a camera to dinner or a nightclub because I enjoy taking pictures of people. I tweet all my pictures, which is bad.
Don't be afraid to take bad pictures, because good pictures are the mistakes of bad pictures.
The problem was, you couldn't have one without the other. There couldn't be a bad guy unless there was a good guy to create the standard. And there couldn't be a good guy until a bad guy showed just how far off the path he might stray.
Steve McQueen was the guy who said less, and everything was all behind his words and what he didn't say, and you still felt emotionally connected and rooted behind him.
One of the last things that my dad and I discussed, and it sticks with me today, is that he no longer believed in the concept of Good Guy/Bad Guy. He believed in the idea that one guy is trying to beat the other. However, he would say, 'You can be a Good Guy/Bad Guy, or you can just be a star.'
We have African-Americans and black people getting behind the scenes more and more, we get true black images in television and film...because we have black people behind them. They can tell stories from those points of view and bring to life those characters who have yet to be shown. As long as we have people behind the camera just as much as in front of the camera doing the work, then we'll always be good.
When you're playing a good character, you have an idea that you're playing the hero and the good guy. Actually, I think you're more stymied playing the good guy than you are the bad guy. As the bad guy, you have no inhibitions. Nothing stops you from doing what it is you feel you have to do. You do it because it's what's required.
Zooming in, zooming out. I was shocked. I said, "Let's erase this right now, put the camera behind the stage and I'll do the performance just for the camera." He set up everything and I told him to go outside and smoke a cigarette. Come back when I finish. Don't touch the camera. This was the way how I've done most everything after that.
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