A Quote by Vincent Piazza

As an actor, I like as much time with the material as possible and given the opportunity, time spent with the other actors in the scene. But that is a rare luxury in working in any TV series.
I'm not looking for a series. I love TV. I love developing characters over a long amount of time. I think for an actor it gives you so much material and every season it gives more background and interest and richness. So I would definitely do another series. I'm just waiting for the right thing to come along.
Ideally I'd like to be working steadily as an actor: movies, a TV series, that sort of thing. I've been through a few different TV development cycles, and they didn't work out. When the time and project are right, it'll come together. Like I tell a lot of guys, it's not a race; there's no finish line.
My parents didn't want me to be a regular in a series. I was a working actor from time to time but they thought was a little too much being a star of a series. They wanted me to have a slightly more normal childhood.
I like to spend as much time on the stage as possible. I don't do a regular TV series because I don't want to be overexposed.
'Wings' offered me the rare opportunity to be a full-time dad and a working actor for eight years.
While you can be trained and groomed to be a better actor, seasoning happens only to TV actors. TV actors shoot every day, and that makes a difference to the project. They are hard-working, but that's not taking anything away from the film actors.
Theres just a big group of actors in London. There are new ones coming in all the time, who are looking for work, and established actors who are interested in working and like to work. To be a working actor in England is a life.
When I was working on The Wire with the other actors, scene after scene after scene, I felt like we were singing together. We were dancing together. I'm like, "This is the best ensemble I've ever worked with. I'm working with these cats? Holy mackerel, this is heaven."
I always collect images, maybe because I was working with historic material - but even if I were working with contemporary material, I would do the same thing. I keep a kind of index of them while I'm working. I find them incredibly useful, not so much to illustrate a time, but to give some sense of the feeling of a time.
In TV, sometimes you get lost in the fog of the scene, and when you're working with such good actors, they can bring you into the scene.
I've enjoyed working on the TV series that I've worked on, in particular something like 'The Wire,' where there was so much time to tell the story and develop a character. I learned from that that it's best not to lay all your cards on the table straight away.
My relationship with Jesus Christ is the most important thing in my life. So any time I get an opportunity to tell Him that I love Him or given opportunity to shout Him out on national TV, I'm gonna take that opportunity. And so I look at it as a relationship that I have with Him that I want to give Him the honor and glory anytime I have the opportunity.
At any given time, there are a lot of million-dollar luxury charter boats cruising around the Mentawai Islands finding the most incredible waves. And yet the people on shore are suffering. The whole scene is wrong. As a surf community, we have to do something.
In TV, you have no time and sort of just carpet bomb the scene with as many angles as possible as quickly as possible and find it in the edit.
Any time you have an opportunity to do something for the first time, it's super exciting, and I just want to soak up everything, and each experience... just to say that you've represented your country at the Olympics, it's such a rare opportunity.
Life was a series of messes, and one spent one's time cleaning them up; if one had any heart at all one also gave a part of one's time to cleaning up those of other people.
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