A Quote by Viola Davis
I think that's why August [Wilson] named her Rose [in "Fences"]; I really do. She's a rose in her sweetness and her kindness and in everything else, even her anger towards the end.
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She had to go," said Rose. "It was because of her angel," said Indigo. "And because of Granddad," added Caddy. "And because of her nose stud." "And because her name isn't on the color chart." "She's lonely," said Rose. "That's why.
He grunted and stirred, withdrawing from her. She only had a moment to be disappointed and then he flipped her to her back and rose over her, powerful and male. He casually parted her legs with his knees and thrust into her again, hot and hard. She gasped at the swift invasion, the lovely feeling, and then his face was next to hers, his big palms cradling her cheeks. “What I want,” he drawled, “is ye. Nothin’ else.
I was amazed by this person who, even though she had everything, would go to feed the homeless and visit sick children and Aids victims. It was like a fairy tale. Who was she really? Why did she do this? She was trying to find love. I wanted the world to see her kindness, her humility: I think she realised that would be her way.
Everything about her was warm and soft and scented; even the stains of her grief became her as raindrops do the beaten rose.
Violet heard the coughing and came running back. She sank down on the bench beside Rose, putting her arm around the older girl and holding a handkerchief to Rose's lips. "What happened?" she asked Galen, her tone just shy of being accusatory. "I am so sorry, Your Highness," Galen said, backing away. "I made her laugh, and–" "You made her laugh?" Violet's eyes widened. "She hasn't laughed in weeks!" She smiled at Galen and gave Rose's shoulders a little squeeze.
You have to protect her. The more she uses it, the worse it'll get. Stop her, Rose. Stop her before they notice, before they notice and take her away too. Get her out of here." [...] "Don't let her use the power!. . .Save her. Save her from herself!
She needs someone who will be everything for her: her friend, her boyfriend, her confidant, her lover and sometimes even her enemy.
I was supposed to go out with this girl, but the plans mixed up because I was working late. So I went to her apartment with a flower. She was asleep, but I really wanted to see her. I figured I'd be like Romeo, and climbed up to her balcony and gave her a rose. She was very shocked. After that, it was over.
When I was in high school, I was dating this girl and wanted to make her birthday really special. I showed up early to school and went around to every single one of her classes and left a rose with her teachers. Each rose had a note with a little inside joke.
She really started to cry, and the next thing I knew, I was kissing her all over - anywhere - her eyes, her nose, her forehead, her eyebrows, and all, her ears - her whole face except her mouth and all.
From barren brown stems to glistening leaf-buds; from the leaf-buds to snowy virginity of bloom…It was like a flute song forgotten in another existence and remembered again. What? How? Why? This singing she heard that had nothing to do with her ears. The rose of the world was breathing out smell. It followed her through all her waking moments and caressed her in her sleep.
I think the relationship [in Aquarius] with her nephew shows that she's not nostalgic. She just wants to preserve what is important to her - her records, her books, even some furniture. She doesn't want to leave that house because it is her home. That is where her kids were born. After moving so much in my life, I was touched by Clara's need to stay in that apartment. I love her life, and that may be why I connected to her so strongly. We are the most alike when we are fighting for our rights.
Go, lovely rose, Tell her that wastes her time and me, That now she knows, When I resemble her to thee, How sweet and fair she seems to be.
Go, lovely rose! Tell her that wastes her time and me That now she knows, When I resemble her to thee, How sweet and fair she seems to be.
I watch her as she leaves. Everything about her is fluid as a river. Her messy hair, her xylophone voice, the strokes of her paintbrush. Even her camouflage army jacket hangs loose, flowing like ribbons.
Ugh! Why couldn’t anyone ever trust her? She wasn’t a two-year-old. If her kindness killed her, then she was better off dead than living a cold, unfeeling life where she misered up all her feelings and possessions.’ (Sunshine)
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