A Quote by Virginia Woolf

I am in the mood to dissolve in the sky. — © Virginia Woolf
I am in the mood to dissolve in the sky.
I come out before the matches because it's important the fans see I am in a good mood. When I get to the club, my mood is always lifted. You can be in a terrible mood, but once you are at Fulham, you are happy.
We are the space in which thoughts appear, play, and dissolve like clouds drifting in the infinite sky.
Sky of blackness and sorrow, sky of love, sky of tears. Sky of glory and sadness, sky of mercy, sky of fear.
My style is super versatile and doesn't pertain to any one category. It can be best compared to a mood ring. It is very dependent on the mood I am feeling for the day.
A bright and sunny sky is an instant mood-lifter.
Examine the nature of hatred; you will find that it is no more than a thought. When you see it as it is, it will dissolve like a cloud in the sky.
Darkness is a lower energy than light, and when you bring light to the presence of darkness you don't have to warn it, you don't have to tell it that it has to get away. It can't survive. Light dissolves darkness. And so does love dissolve hate and so does joy dissolve sadness and so does faith dissolve doubt and so on.
When you train your thoughts to dissolve as they arise, they will cross your mind like a bird crosses the sky--without leaving a trace.
When I go on the set, I'm so rushed. When I see the actors at rehearsal, when I love it, I want to keep the mood - my mood and the actors' mood also. So I have to push the crew faster. I don't want to lose the mood.
When I was four, I was a kind of sky worshipper. I would look at the sky, and I wanted to evaporate into the sky - I loved the sky. I loved looking at the trees, just because they touched the sky.
What has mood to do with it? You fight when the necessity arises—no matter the mood! Mood's a thing for cattle or making love or playing the baliset. It's not for fighting.
I often use colour to attack form, to break it down a little or begin to dissolve it. But I am not at all interested in 'pure' colour or in colour as a transcendental presence... So if I use colours to begin to dissolve forms, I also use forms to prevent colours becoming entirely detached from their everyday existence.
If we allow our thoughts to arise and dissolve by themselves, they will pass through our mind as a bird flies through the sky, without leaving a trace.
If the only teacher you have is your suffering, you will need a substantial dose of it for the ego to dissolve. But if the power of spiritual teaching is already at work, then a minor event can dissolve the ego.
The artist, busy and unsettled, can find a moment's peace - and even whole-being rejuvenation - by quietly attuning to a red sky, a gray sky, a black sky, a blue sky.
My idea of a perfect surrealist painting is one in which every detail is perfectly realistic, yet filled with a surrealistic, dreamlike mood. And the viewer himself can't understand why that mood exists, because there are no dripping watches or grotesque shapes as reference points. That is what I'm after: that mood which is apart from everyday life, the type of mood that one experiences at very special moments.
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