A Quote by Virginia Woolf
One should be a painter. As a writer, I feel the beauty, which is almost entirely colour, very subtle, very changeable, running over my pen, as if you poured a large jug of champagne over a hairpin.
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When you're taking a fence on a horse, you don't think much; your body does all the thinking, and you're over or you're not over. It's much the same when you are doing a tricky thing with a pen. There are times when I'm writing very, very fast.
The eye and soul are caressed in the contemplation of form and colour. The subtle changes of colour over a surface - transitions that are like music - are intangible in their reaction upon us. There is an immediate sensuous appeal!
Oh, I love labels, as long as they are numerous. I'm an American writer. I'm a Nigerian writer. I'm a Nigerian American writer. I'm an African writer. I'm a Yoruba writer. I'm an African American writer. I'm a writer who's been strongly influenced by European precedents. I'm a writer who feels very close to literary practice in India - which I go to quite often - and to writers over there.
The Romans have provided a lot of writers with a model for various interstellar empires, of course, and no wonder. The Roman Empire is a really good example of a large empire that, in one form or another, functioned for quite a long time over a very large area. And over all that time, there was all sorts of exciting drama - civil wars and assassinations and revolts and bits breaking off and being forced back in ... But I didn't want my future - however fanciful it was - to be entirely European. The Radchaai aren't meant to be Romans in Space.
Watch out, I have a large, very large fur, with which I could cover you up entirely, and I have a mind to catch you in it as in a net.
The colour of the water seems to be the colour of the glass into which it has been poured'.
However, some of my work is very subtle, and one should expect very subtle reactions to it.
My mitochondria comprise a very large proportion of me. I cannot do the calculation, but I suppose there is almost as much of them in sheer dry bulk as there is the rest of me. Looked at in this way, I could be taken for a very large, motile colony of respiring bacteria, operating a complex system of nuclei, microtubules, and neurons for the pleasure and sustenance of their families, and running, at the moment, a typewriter.
At times I feel it almost impossible not to despond entirely of there ever being a better, brighter day for us. None but those who experience it can know what it is - this constant, galling sense of cruel injustice and wrong. I cannot help feeling it very often, - it intrudes upon my happiest moments, and spreads a dark, deep gloom over everything.
I pastor a very large church in western Australia. We have about - over 2,000 people, which we have a Bible school, community services, a lot of things linked with it. So my life's very full today. Not enough days in the week.
I'll put 'Stranger Things' up there with the best of it. I think it's such a profound show - it's very subtle in the way that it tells its story, but it's very effective. Every time I watch it, I feel something, which is very rare for me.
Almost everything I do, especially later on, is really very scripted. And I do it over and over again until it's perfect.
If I am running 100 yards, I should be cut. Because then I am getting beat. I do not need to be doing that. I need to be running 20, 30, 40 yards as fast as I can over and over and over at optimal energy and efficiency and speed.
Should you create a protagonist based directly on yourself? The problem with this - and it is a very large problem - is that almost no one can view himself objectively on the page. As the writer, you're too close to your own complicated makeup.
It is a really good question. The other day I was praying over something as I was running, and I ended up saying to God, ‘Look, this is all very well, but isn’t it about time you did something, if you’re there?’ Which is probably not what the archbishop of Canterbury should say.
People talk so much to me about the beauty of confidence. They seem to entirely ignore the much more subtle beauty of doubt. To believe is very dull. To doubt is intensely engrossing. The Apostle Thomas was artistic up to a certain point. He appreciated the value of shadows in a picture. To be on the alert is to live. To be lulled into security is to die.
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