A Quote by Vishwajeet Pradhan

I never got a lead role and I make no bones about it. — © Vishwajeet Pradhan
I never got a lead role and I make no bones about it.
I never ever played the lead role in a play, except at school. I guess the industry that we're in, boys that look like me don't get the lead role.
In my journey, I got amazing characters to play which were as interesting as a lead role. In 'Commando,' my role was so good. I feel no actor have rejected that kind of a role.
I gotta make a living. I make no bones about that. Most actors do. But within that context, I've never not tried to make something as fresh and alive as I possibly could make it.
I never make a choice thinking about the results. I'm never gonna take a role or a project thinking where this could - what this could bring me or something like that, because you've got no control about anything, actually.
I've never wanted to play the lead role; I make the most of whatever opportunities come my way.
I do like ensemble work. I would like to do a lead role, though. I didn't shy away from that. I'm desperately looking for a lead role to do in a film, an independent film, and it just hasn't come my way yet. I'm desperately looking for that role that will put me in a lead category. Or a television series.
If you're playing a lead, you're shaping the movie. When you're playing a supporting role, you've got only a moment to make it count.
Now, there doesn't have to necessarily be a white man in the lead role. That's the way forward. That's diversity. It's cool if an Indian is playing the lead role in a Hollywood project, and we should be proud of this.
Leadership in its best sense has never been about the pre-determined role cast on some to lead others.
There were so many lead roles available when I was in my thirties. Once I hit 45, there was a real downturn. But I got an incredibly provocative, delicious lead role in a television series called 'Saving Grace,' and I loved the character.
I think typically you'd start in a supporting role or an ensemble role, or maybe even an off-Broadway role. So to come into a lead role on Broadway, especially taking over a role that has been played by two phenomenal actors in the past, that is some large shoes to fill.
There is something about putting the uniform on. You've got a role to play, to be calm, to lead other people, to go forward when everyone else is running away. It gives you a sense of, not of courage but, 'It's my job.'
I don't believe in terminologies like 'lead role' or 'supporting role' or 'cameo role,' etc.
I love acting. I just love it. It's in my bones. I remember when I was a kid, I watched an interview with Dennis Hopper talking about Jimmy Dean on the set of Rebel Without A Cause. Jimmy said to him, "If you've got to cry in a scene, you've got to cry. Make it real." And that's all that I believe in.
After 'The Empire Strikes Back,' I got to make big films that I didn't care about, 'Never Say Never Again' and 'RoboCop 2,' and then I got too old.
I'm sure you've heard people talk about their Heart's Desire—well that's a load of rot. Hearts are idiots. They're big and squishy and full of daft dreams. They flounce off to write poetry and moon at folk who aren't worth the mooning. Bones are the ones that have to make the journey, fight the monster, kneel before whomever is big on kneeling these days. Bones do the work for the heart's grand plans. Bones know what you need. Hearts only know want.
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