A Quote by Viswanathan Anand

Each match I approach like a new one. The work is so immense that you don't have time to sit and ponder. — © Viswanathan Anand
Each match I approach like a new one. The work is so immense that you don't have time to sit and ponder.
It’s a job. It’s not a hobby. You don’t write the way you build a model airplane. You have to sit down and work, to schedule your time and stick to it. Even if it’s just for an hour or so each day, you have to get a babysitter and make the time. If you’re going to make writing succeed you have to approach it as a job.
Real Madrid approach each match and each competition with the idea of winning it.
But, without a doubt, my favourite thing? It's sitting in a change room like this after a match. There's no time frame on how long you'll sit there. There's no formality. You're just enjoying each other's company, thinking about cricket.
I'm taking each match one at a time, not putting expectations on myself, just getting fired up to compete, and taking each match as is.
I'm neither excited nor worried when my film releases. As an artiste, I would definitely want people to like my work... that's why we are here. But I don't really sit up and look at reviews. I have never sat down to ponder over what others have to say.
The world's large enough and interesting enough to take a different approach each time you sit down to write about it.
I don't like rushing, just like to sit down and rest before a match. Half the time I don't even look at the draw.
I approach an action sequence almost like a mathematical problem. Sometimes you get these action sequences that you read and go, 'Oh my God, this is huge, how do I do it?' and I go, 'Just a step at a time. Sit down and plot each piece of it out.'
I've had to work very hard, and I don't really have a category or fit into any niche, so each time I come out with a new record, it's like, I'm a new guy.
And every match is different: you have different opponents, different situations, different conditions. So there's no one approach that's going to work all the time.
I like the relationship between the master and the student. Each piece has new problems, and each is different. They're all an indentured servitude. There's that subjugation that you have to put yourself under. It's a give and take. There is work involved, and during that time, the greatest things are revealed.
You can't hurry creativity, so take time to ponder your ideas. Sit back and take time to think things over. That's usually how the best ideas bloom.
Each time I sit down and write a play I try to dismiss from my mind as much as I possibly can the implications of what I've done before, what I'm going to do, what other people think about my work, the failure or success of the previous play. I'm stuck with a new reality that I've got to create.
New, unfamiliar, and mysterious threats to our health are scary. At the Centers for Disease Control and Prevention - where we identify, on average, one new health threat each year - we work around the clock with an approach that prioritizes finding out what we need to know as fast as we can to protect Americans.
I have a specific routine before every match. I like to grip my rackets, because I feel that someone else won't do it how I like them. But the biggest thing is that I don't like to stress about my match all morning. Twenty minutes before, I'll sit down and think about the game plan and warm up. And then I just play.
I am one of the lingering bad ones, and so do I slink away, and pause, and ponder, and ponder, and pause, and do work without knowing why - not surely for this brief world, and more sure it is not for heaven - and I ask what this message of Christ means.
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