A Quote by Vitali Klitschko

David Haye is too light. Simply too light. He's not a real heavyweight. — © Vitali Klitschko
David Haye is too light. Simply too light. He's not a real heavyweight.
I used to be a light-heavyweight, and I'm much faster than cruiserweight. That's the reason I didn't struggle with David Haye's speed, and David Haye is much quicker than Oleksandr Usyk with one punch and much, much, more destructive with the way he hits.
But in the end all religions point to the same light. In between the light and us, sometimes there are too many rules. The light is here and there are no rules to follow this light.
David Haye was the perfect opponent for me because he was a small heavyweight with a big name and we were about the same size.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
I have decided to make a personal message to David Haye. I want him to fight me, to be a man. I wish there will be enough excitement, pressure and courage for David Haye to fight me.
We are regularly in danger of having too light a view of our sin and also too light a grasp of what Jesus has done to free us from our sin.
I think a fight with David Haye, even if he is not American, is going to give positive vibes about the heavyweight division for the American fans and fans worldwide.
I'd rather be very well prepared before I move to heavyweight or light heavyweight. That's according to my own schedule - no one else's.
...lest too light winning make the prize light.
I don't care if it's someone cutting down from heavyweight, or moving up from middleweight to light heavyweight. It's just another opponent, and I have to do a great job.
I feel also that the rhythm of a production is made by the lighting. If it feels like it's too long and too slow, it may well be because the light is changing in a way that makes the audience feel that way. Definitely I feel that light and music are very closely related.
My works are about light in the sense that light is present and there; the work is made of light. It's not about light or a record of it, but it is light. Light is not so much something that reveals, as it is itself revelation.
Light seeking light doth light of light beguile: So, ere you find where light in darkness lies, Your light grows dark by losing of your eyes.
It is not enough to hold the line against the dark. It is your responsibility to lead into the light. People don't like the light--it reveals too much. But hand in hand with the creative artist, you can lead people into the wisdom that is known to all other animals: simply, that it is the dark we have to fear.
Having books published is very destructive to writing. It is even worse than making love too much. Because when you make love too much at least you get a damned clarte that is like no other light. A very clear and hollow light.
Light has called forth one organ to become its like, and thus the eye is formed by the light and for the light so that the inner light may emerge to meet the outer light.
This site uses cookies to ensure you get the best experience. More info...
Got it!