A Quote by Viv Albertine
I read a lot when I was young. All the obvious, all the greats, from 'Le Grand Meaulnes,' 'To Kill a Mockingbird,' 'Fear and Loathing,' 'Catcher in the Rye,' 'The Bell Jar,' 'The Female Eunuch,' 'Valley of the Dolls,' 'The Feminine Mystique,' Tom Wolfe. Then, film took over for me. Film was so exciting in the '70s.
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I dare you to read a book this weekend! War and Peace? To Kill a Mocking Bird? Catcher in the Rye? The Heart is a Lonely Hunter? For Whom the Bell Tolls? As i lay Dying? Giovanni's Room? The Bell Jar? These books changed my life. #artforfreedom #rebelheart
I had English grammar book and started to teach myself. I read 'Catcher in Rye,' in Russian. I was amazed at freedom in 'Catcher in Rye!' Freedom to have those perceptions of life!
My first film goes into production in October. It's called White Boy Shuffle and it's based on a novel about a young black kid and it's sort of reminiscent of Catcher in the Rye.
As a teenager, I read a lot of science-fiction, but then I read 'Catch-22' and 'The Catcher in the Rye' and started reading more literary fiction.
'The Catcher in the Rye' was targeted by some schools as a book too risque to read and certainly not appropriate for young minds. My parents certainly would not have approved of the book, but I secretly read it when I was in 7th grade. I felt so rebellious, and my young mind loved it.
The few movies I can even think of that I watch over and over would be the Elizabeth Taylor/Richard Burton movie 'Boom!', 'Faster, Pussycat! Kill! Kill!', and 'Beyond the Valley of the Dolls.' I wouldn't call any of them mainstream.
When I read Jerome D. Salinger's "The Catcher in the Rye" that was the first time I felt my mind blow open. I thought that book was speaking to me. I was 12 or 13 when I read that. I read everything on my mother's bookshelves.
Talent has no gender. People are hiring young male directors right out of film school, off of a student film or off of a film at Sundance for millions of dollars. You can do the same with a female. It's not a risk about the work if you respect the film that they made.
'Catcher In The Rye' was my favorite book, honestly. I read it when I was thirteen, and the book was a bit of a family heirloom because it was passed down from my grandfather to my father to my older brother and then to me.
Nobody becomes Tom Wolfe overnight, not even Tom Wolfe.
'Poltergeist' was the film that scarred me for life. I saw it at such a young age - 5 or 6 years old - and it has one of the creepiest doll sequences with the clown, and ever since then, I've just been fascinated by dolls.
I first read Harper Lee's 'To Kill a Mockingbird' as a teen in school, like you did. I read the book alone, eating lunch at my locker, neatly scored oranges my mother divided into five lines with a circle at the top, so my fingers could dig more easily into the orange skin. To this day, the smell of oranges reminds me of 'Mockingbird.'
One of the great pleasures of reading Tom Wolfe - of still reading Tom Wolfe - is the sense of awe he consistently inspires.
The copies of The Catcher In The Rye or To Kill A Mockingbird that I own look like they were printed yesterday, and there's not a nick, not a blur, there's not any fading on the jacket at all, because they were taken and protected. A limited edition, by nature, is limited, and also probably more protected because of that. I'd rather have a first trade edition than a special one of 25 that was made years later, even if it's signed by the author. The trade edition is the Holy Grail.
When I started out, there were three things that made film people look at me with condescension, I was young, I was black, and I was female. I have won a certain respect, but I think the film community still sees directing as a male job.
I really like The Catcher in the Rye a lot.
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