A Quote by Vivianne Crowley

Creative arts, new inventions, and new ideas spring from those blessed with imagination, and magic stimulates imagination. It is no coincidence that many artists, writers, and dancers are interested in magic.
The pioneer scientist must have "a vivid intuitive imagination, for new ideas are not generated by deduction, but by artistically creative imagination."
Think of the imagination as a giant stone from which we carve out new ideas. As we chip away, our new ideas become more polished and refined. But if you start by editing your imagination, you start with a tiny stone.
Imagination inspires you to look at everything with fresh eyes, as though you had just come forth from a dark tunnel into the light of day. Imagination becomes for you a magic lamp with which to search the darkness of the unknown, that you may discover new goals or chart more productive paths to old goals.
Yet magic is no more than the art of employing consciously invisible means to produce visible effects. Will, love and imagination are magic powers that everyone possesses; and whoever knows how to develop them to their fullest extent is a magician. Magic has but one dogma, namely, that the seen is the measure of the unseen.
Imagination has the creative task of making symbols, joining things together in such a way that they throw new light on each other and on everything around them. The imagination is a discovering faculty, a faculty for seeing relationships, for seeing meanings that are special and even quite new.
To raise new questions, new possibilities, to regard old problems from a new angle, requires creative imagination and marks real advance in science.
I am absorbed in the magic of movement and light. Movement never lies. It is the magic of what I call the outer space of the imagination.
Readers have a loyalty that cannot be matched anywhere else in the creative arts, which explains why so many writers who have run out of gas can keep coasting anyway, propelled on to the bestseller lists by the magic words AUTHOR OF on the covers of their books.
In magic I believe I can control certain elements of my environment, I believe I can control certain aspects of my endocrine system, through imagination, visualization, breathing techniques, which in a sense come into the scientific aspects. So magic is a combination, its a soup, a delightful combination of art, imagination, visualization, fantasy, with a healthy dose of solid basis, because it is a science. The thing is we've lost the keys.
I think art certainly is the vehicle for us to develop any new ideas, to be creative, to extend our imagination, to change the current conditions.
And that's what I don't like about magic, Captain. 'cos it's *magic*. You can't ask questions, it's magic. It doesn't explain anything, it's magic. You don't know where it comes from, it's magic! That's what I don't like about magic, it does everything by magic!
To put it simply, we need to keep the arts in education because they instill in students the habits of mind that last a lifetime: critical analysis skills, the ability to deal with ambiguity and to solve problems, perseverance and a drive for excellence. Moreover, the creative skills children develop through the arts carry them toward new ideas, new experiences, and new challenges, not to mention personal satisfaction. This is the intrinsic value of the arts, and it cannot be overestimated.
There was a guy named Ed Mishell. He was this grandfatherly guy who did all the illustrations for the catalogs and reviewed magic effects for the magic magazines, so all of the magic dealers would send him magic effects for free-it was a great deal. His basement was full of this stuff. He took me under his wing, and he would sneak me into the Society of American Magicians meetings in New York. It's the world's oldest magic organization.
There is a mystery about this which stimulates the imagination; where there is no imagination there is no horror.
I'm inspired by artists and musicians. There are so many wonderful and talented people in the world. I love discovering new music, new writers, or new art.
Henry Corbin creates the world - most of all his examination of the imagination and what the imagination was for him. Some philosophers would think of the imagination as a synthetic ability, how you put different things together. Artists more think of the imagination as creativity. So I really like the way that he presents the imagination as a faculty that allows one to experience worlds that are not exactly physical but are real nonetheless.
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