A Quote by Vladimir Horowitz

To be able to produce many varieties of sound, now that is what I call technique, and that is what I try to do. I don't adhere to any methods, because I simply don't believe in them. I think each pianist must ultimately carve his own way, technically and stylistically.
I like Stevie Wonder as my favorite non-pianist pianist. I mean, I shouldn't call him a non-pianist, because he's really a great pianist, but he doesn't feature it that much - he uses his keyboards and his piano technique to support his great songs and so forth, but he can really blow.
I don't think the world is the way we like to think it is. I don't think it's one solid world, but many, thousands upon thousands of them--as many as there are people--because each person perceives the world in his or her own way; each lives in his or her own world. Sometimes they connect, for a moment, or more rarely, for a lifetime, but mostly we are alone, each living in our own world, suffering our small deaths.
I think the biggest mistake anyone can make is trying to be the next someone, and try to mimic or copy someone who is already out there because you have to produce your own personality and your own sound, and go from there. That is something all great broadcasters have been able to do.
Though methods play an important role in the early stage, the techniques should not be too mechanical, complex or restrictive. If we cling blindly to them, we shall eventually become bound by their limitations. Remember, you are expressing the techniques and not doing the techniques. If somebody attacks you, your response is not Technique No.1, Stance No. 2, Section 4, Paragraph 5. Instead you simply move in like sound and echo, without any deliberation. It is as though when I call you, you answer me, or when I throw you something, you catch it. It's as simple as that - no fuss, no mess.
A lot of people – and I’m just not one of them – believe that you should live for the now. I think what you do is think about the great expanse of time ahead of you and try to make sure that you’re planning for that in a way that’s going to leave you ultimately satisfied. This is the way it works for me.
With only one life to live we can't afford to live it only for itself. Somehow we must each for himself, find the way in which we can make our individual lives fit into the pattern of all the lives which surround it. We must establish our own relationships to the whole. And each must do it in his own way, using his own talents, relying on his own integrity and strength, climbing his own road to his own summit.
We could try and establish a world in which the great and the powerful adhere to that international law which they require ordinary mortals to adhere to. In other words, there is one international law, and even America and even Russia and China and Japan must adhere to it, and Australia must adhere to it.
Too many times you come across lyrics that sound like you've heard them before or you can't really relate to them. And I think that I write songs that sound fresh and sensual in kind of a layered, lush way. But I also think that they are real, and that's why I wanted to call the record 'Inside Out.'
Unfortunately, many people do not feel comfortable with freedom. They must find for themselves a leader, a guru, or a mentor to take over the direction of their spiritual lives and who will tell them what to do and how to think. A guide or a counselor is understandable, as in sports or music or in any pursuit, but that is not enough. Many mistakenly believe they have to be led each step of the way.
I think this my last album - No Place For My Dream - truly is my best work. My fear now is, I don't know if I can do better than this in my lifetime, because technically, sound quality, composition, the melody is really high standard, it's very scary; the way it was recorded, the way I was focused. I think it is top of the music scene.
Unlike every other product that is now manufactured for the table, wine exists in as many varieties as there are people who produce it. Variations in technique, climate, grape, soil and culture ensure that wine is, to the ordinary drinker, the most unpredictable of drinks, and to the connoisseur the most intricately informative, responding to its origins like a game of chess to its opening move.
If we look round the world, there seem to be not above six distinct varieties in the human species, each of which is strongly marked, and speaks the kind seldom to have mixed with any other. But there is nothing in the shape, nothing in the faculties, that shows their coming from different originals; and the varieties of climate, of nourishment, and custom, are sufficient to produce every change.
I have no idea and I think Steven King strongest suit is the characters that he does create, all in the same area where he lives. The way he describes them is one of his fortes and it boggles my mind how he's able to do that and to create so many. It must be thousands by now.
Women who have managed to get successful normally have had to carve out pretty much their own route for doing it, because there are few roadmaps for how, as a woman, you become successful. You think about having to do it yourself, you carve your own way. Does that relate to being Jewish?
Technically I feel total fluidity in writing. I feel there's nothing technically that I can't do the way a certain sort of pianist feels that. But that doesn't mean it comes easily. It doesn't.
After following the footsteps of the greats, each singer must carve out his own identity, else he will perish.
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