A Quote by Voltaire

All the ancient histories, as one of our wits say, are just fables that have been agreed upon — © Voltaire
All the ancient histories, as one of our wits say, are just fables that have been agreed upon
History is fables agreed upon.
... the histories of Blacks and Jews in bondage and out of bondage, have been blood histories pursued through our kindred searchings for self-determination. Let this blood be a stain of honor that we share. Let us not now become enemies to ourselves and to each other.
As it is the characteristic of great wits to say much in few words, so small wits seem to have the gift of speaking much and saying nothing.
I'm fascinated with the stories that we tell. Real histories become fantasies and fairy tales, morality tales and fables. There's something interesting and funny and perverse about the way fairytale sometimes passes for history, for truth.
This ancient practice of the Rudrabhishekam, with the chanting of mantras, has been happening since thousands of years. It creates such a deep resonance in our consciousness, because our consciousness is very ancient
Histories used often to be stories: the fashion now is to leave out the story. Our histories are stall-fed: the facts are absorbed by the reflexions, as the meat is sometimes by the fat.
Why, exactly, are scientists supposed to accord "respect" to a bunch of ancient fables that are not only ludicrous on their face, but motivate so much opposition to science?
Although it is tempting to imagine an ancient era innocent of biochemical weaponry, in fact this Pandora's box of horrors was opened thousands of years ago. The history of making war with biological weapons begins in mythology, in ancient oral traditions that preserved records of actual events and ideas of the era before the invention of written histories.
I'm no longer religious, but the Bible fascinates me. Hardly anyone reads it anymore, but it's got everything: it's a book of poetry, it's a book of principle, it's a book of stories, and of myths and of epic tales, a book of histories and a book of fictions, of riddles, fables, parables and allegories.
Hugh Everett's work has been described by many people in terms of many worlds, the idea being that every one of the various alternative histories, branching histories, is assigned some sort of reality.
This is the launch of the Doctor Strange film interpretation, of - in my view - a classic, which has been interpreted many times by other graphic artists and this is just our graphic interpretation of The Ancient One. I would say the whole approach is about a kind of fluidity.
This is the launch of the 'Doctor Strange' film interpretation of - in my view - a classic, which has been interpreted many times by other graphic artists, and this is just our graphic interpretation of The Ancient One. I would say the whole approach is about a kind of fluidity.
We make two mistakes about the ancient world. One is to assume they were better than us - that, for instance, the ancient Olympics didn't involve money-making. The opposite mistake, and just as common, is to think our Olympics are much more civilised than ancient sporting competitions. Neither is true.
Alas, sir, how fell you besides your five wits?" Malvolio: "Fool, there was never a man so notoriously abused. I am as well in my wits, fool, as thou art." Feste: "But as well? Then you are mad indeed, if you be no better in you wits than a fool.
As the histories of ancient and modern democracies illustrate, the pressure of political movement in times of war, civil commotion, or general anxiety pushes in the direction of authority, not away from it.
We look at the ancient Greeks with their gods on a mountain top throwing lightning bolts and say, 'Those ancient Greeks. They were so silly. So primitive and naive. Not like our religions. We have burning bushes talking to people and guys walking on water. We're ...sophisticated.'
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