A Quote by Dan Severn
From the public's perspective, they like to see guys that go out there and stand. Now, if you happen to be one of those two athletes that are standing out there and trading with each other, afterwards you would disagree with those people. The spectators are not on the receiving end of all those strikes. I have young guys who say, "I like to stand and trade." I say, "Really? Then you are not a very intelligent fighter."
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If you think about 2Pac, Biggie, and Nas, all of those guys were teenagers or in their early 20s when they got started. Everybody acts like young people have to be silly and lack perspective. Those guys had incredible perspective, and everything that they said was before 25 years old.
Scoring, that's my thing... Didier Drogba, Samuel Eto'o, those were the guys that we looked at as kids like, 'Man, they're doing it, and they're doing it at a high level.' We would see them on TV. So, it wasn't much about basketball, to be honest, it was just those type of athletes. Those guys were the guys that we looked at as kids.
These stunt guys are good at what they do and they're professional. A smart actor will step back and say, "I'm going to let the professionals do this." Hats off to those guys, man. When you see the credits scroll, look at all those stunt guys and remember all those names 'cause they earned their money on this.
I think any time you bring those guys in, one with a lot of playoff experience, with rings - those guys won - guys in the locker room gravitate towards those guys. Those guys have been there, so there's a lot that they can teach the guys.
I would like to see more airplay for all artists, no matter what age. I think there's a lot of money being spent toward the young guys, but a lot of the older guys are the ones who blazed the trail for those young guys.
During the preproduction when I'm shooting and then once we wrap we go away. And then the visual effects guys take over. And then they add all those little bits and pieces. They come up with ideas during the cut in the editing, and they said while would be really cool if we did this thing here where the blade pops out. So then you see the movie and say wow that's a really neat idea. I wish we would have thought of that.
When you're in a room with a guy who has a vision like that, it's just one of those things where you close your eyes and just see that vision - then you just go with it. The guys that I write with are so incredible, just like my producer Trent Willmon, those guys know how to bring things out of me - especially things that I maybe didn't even know that I had.
I'm not into those kind of rivalries. I remember standing out in front of Stratford, minding my own business. Carload of about eighty kids would pull up: 'STRATFORD SUCKS!' Am I supposed to run after these guys? I'd just stand there, you know. They'd back up. 'STRATFORD SUCKS! ...STRATFORD SUCKS!' I'd say, 'I know. I go there. You're wasting gas, man.
I'm standing up for the right of self-determination. I'm standing up for our territory. I'm standing up for our people. I'm standing up for international law. I'm standing up for all those territories - those small territories and peoples the world over - who, if someone doesn't stand up and say to an invader 'enough, stop', would be at risk.
I only know two cats in this business that really had it all; Elvis was one of those guys, the other was Ricky Nelson. There was a difference in those two guys though. Elvis moved...Ricky never had to; he stood flat footed and captivated his audience with his good looks. We grew up with him; those who didn't missed something. History books are gonna have to say that he played a big role in Rock 'n' Roll music.... and he did it his way.
My boys - T.J. Ward, Aqib Talib, Kayvon Webster, DeMarcus Ware, all those guys - I built very, very close relationships with those guys, and I would like to continue to build that for the rest of my career.
God doesn't seem to talk to people like he used to. Who's he talking to now? I don't know. Then I'm walking down the street in Manhattan one day, and I realize maybe it's those guys you see walking down the street talking to themselves. You know, those guys that are like, 'I can't! No, I can't!' Maybe the other side of that conversation is God going, 'You're the new leader.' 'No I can't!' They're not crazy - they're reluctant prophets.
A brain hemorrhage puts it all in a deeper perspective. I'm one of those guys hit by lightning. I see the big picture. Everything is in perspective now. Let's just say I'm the kind of guy who knows how to enjoy the moment.
Man, I have absolutely zero ability into narrowing absolutely any of my favorites into just one, but I have to say, I gotta go between Undertaker and Triple H. Other than all the obvious reasons, but the biggest one for me, those are the only two guys, I could make a mistake and it would be okay. I could put the trust of the match, the story, and absolutely everything into their hands and let go of my control. I'm a control freak (laughs). Those are the only two guys I can let drive and take my hands off the steering wheel.
I don't want to be one of those players towards the end - nothing against those guys who've done it like that in the past - but I want to make sure that I'm at the top of my game when I do go out.
Real is when you go to training camp. Real is when you finally get the guys in pads. Real is those guys in that locker room setting those goals because we have some guys now that can set goals and expectations for those guys in the locker room because, ultimately, who are the Cleveland Browns but those guys in that locker room.
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