A Quote by Eve Arden

In the theater, I could envision myself as wonderful because of the audience response to my lines. — © Eve Arden
In the theater, I could envision myself as wonderful because of the audience response to my lines.
Which implies that the real issue in art is the audience's response. Now I claim that when I make things, I don't care about the audience's response, I'm making them for myself. But I'm making them for myself as audience, because I want to wake myself up.
I think theater and church are so relatable because it's traditional call-and-response in the way that an audience interacts with the actors.
I prefer theater, but I love to do films, and I prefer theater primarily because I've done more. I know less about movies. You can't lie in either medium. The wonderful thing is that the camera, just like an audience, is made out of skin - because celluloid is skin.
Theater is a wonderful medium - I love theater myself, and there are exceptions to every rule - but the thing that motion pictures can do that theater cannot is that in movies, you don't have to rely on dialogue.
I'm conflicted with theater in the city because you want to reach a diverse audience, and that audience doesn't typically go to the theater.
I prefer that for my own satisfaction over radio, there's no audience. TV, there's no audience. I need the response of the audience, even if it's a silent response.
There was but one question he left unasked, and it vibrated between his lines: if gross miscalculations of a person's value could occur on a baseball field, before a live audience of thirty thousand, and a television audience of millions more, what did that say about the measurement of performance in other lines of work? If professional baseball players could be over- or under valued, who couldn't?
I think I'll never stop doing theater because it's a more physical and athletic activity. You can't pull any punches; there are no short cuts, and you have to be physically present and committed. I love the excitement and the response of being in front of a live audience.
I'd love to go back and do theater. There's nothing like that instant response and the connection to a live audience.
Violence and nonviolence are, after all, two different forms of theater. They both depend and thrive on the response of an audience.
The audience is the most revered member of the theater. Without an audience, there is no theater. Everything done is ultimately for the enjoyment of the audience. They are our guests, fellow players, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.
I think about the audience in the sense that I serve as my own audience. I have to please myself the way, if I saw the movie in a theater, I would be pleased. Do I think about catering to an audience? No.
I love the theater because the theater is alive. The audience is right there.
Theater is a physical activity as much as anything. It's harder for me to learn the lines than it was 30 years ago. At the same time, I'll never quit working in the theater - until I can't memorize two lines back to back.
In France, I'm not going to say the audience will laugh for nothing, but you could compare the response I get to the response Louis CK or Chris Rock would get if they go up in a club in Denver tonight.
I have a children's theater background, so I grew up performing for child audiences; it's sort of my specialty. I know the child audience pretty well - or felt like I did because I performed for them so much. I studied a lot about the child audience, about theater. So it was naturally a place that I gravitated to.
This site uses cookies to ensure you get the best experience. More info...
Got it!