A Quote by W. Somerset Maugham
Just as the painter thinks with his brush and paints the novelist thinks with his story.
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The art of fiction does not begin until the novelist thinks of his story as a matter to be shown, to be so exhibited that it will tell itself.
. . . man is just what he thinks himself to be . . . He will attract to himself what the thinks most about. He can learn to govern his own destiny when he learns to control his thoughts.
When a painter thinks to disengage from the world outside himself and fantasies unprecedented forms he thinks he will make a painting, he finds in this expression the same effect - I would even say the same picture - that he had unconsciously acquired by his habit to experience reality intensely.
If I wrote something just for a musician and not for a soundtrack I would have no inspiration from scenes or from the story. It's like if a painter sees a beautiful scene and he paints it. If he's in his home it's not the same.
He who thinks all mankind is vile is a pessimist who mistakes his introspection for observation; he looks into his own heart and thinks he sees the world.
Someone who thinks well of himself is said to have a healthy self-concept and is envied. Someone who thinks well of his country is called a patriot and is applauded. But someone who thinks well of his species is regarded as hopelessly naïve and is dismissed.
Every artist dips his brush in his own soul, and paints his own nature into his pictures.
We know what a person thinks not when he tells us what he thinks, but by his actions.
A person who thinks too much only ever thinks about his thoughts
Sometimes he thinks that if he could only trace the path of his life carefully enough, everything would become clear. The ways that he screwed up would make sense. He closes his eyes tightly. His life wasn't always a mistake, he thinks, and he breathes uncertainly for awhile, trying to find a pathway into unconsciousness, into sleep.
A politician's words reveal less about what he thinks about his subject than what he thinks about his audience.
The nobler sort of man emphasizes the good qualities in others, and does not accentuate the bad. The inferior does the reverse. . . . The nobler sort of man pays special attention to nine points. He is anxious to see clearly, to hear distinctly, to be kindly in his looks, respectful in his demeanor, conscientious in his speech, earnest in his affairs. When in doubt, he is careful to inquire; when in anger, he thinks of the consequences; when offered an opportunity for gain, he thinks only of his duty.
If ever a painter wrought a miracle of illusion with brush and pigment that painter was Velazquez in his Las Meninas, at the Prado in Madrid.
A refugee is not just someone lacking in money and everything else. A refugee is vulnerable to the slightest touch: he has lost his country, his friends, his earthly belongings. He is a stranger, sick at heart. He is suspicious; he feels misunderstood. If people smile, he thinks they ridicule him; if they look serious, he thinks they don't like him. He is a full-grown tree in the dangerous process of being transplanted, with the chance of possibly not being able to take root in the new soil.
You can think of a painter as a trio - the artist, his talent and his muse, the last two always on the lookout for a new brush man.
If a man says that it is right to give every one his due, and therefore thinks within his own mind that injury is due from a just man to his enemies but kindness to his friends, he was not wise who said so, for he spoke not the truth, for in no case has it appeared to be just to injure any one.
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