A Quote by Walt Disney

Well it took many years. I started with many ideas, threw them away, started all over again. And eventually it evolved into what you see today at Disneyland — © Walt Disney
Well it took many years. I started with many ideas, threw them away, started all over again. And eventually it evolved into what you see today at Disneyland
I was talking to so many teenagers for so long that I started to feel like, 'I have my own story I want to tell, and I need to do it soon.' So I started to store away pieces that eventually became 'Speech & Debate.' I felt this burning need to write it while I still had not only all of the ideas but the passion to do it.
When I was a lieutenant in Special Forces many many years ago, I thought I was getting fat. And I started running, and I started running distance, which I enjoyed.
Basically I started to jot notes, lots of faxes back and forth to my writer, we faxed ideas throughout the whole first draft, and started all over again.
We went out for six weeks a year. We first started in Mexico and we did that for so many years that we finally said we've got to explore and start going globally. And then we started going all over the world.
Why is history important? Without history, many people have no idea how many of today's half-baked ideas have been tried, again and again - and have repeatedly led to disaster. Most of these ideas are not new. They are just being recycled with re-treaded rhetoric.
I actually started making tank tops under the name Kitty Moon many, many years ago, but I just didn't have the time to fully devote to it. Now that we don't go on the road as much, I have a better ability to focus on a line; that's why I started Total Skull.
A lot of people have done that over the years. Many of the agencies today were started by photographers. It's a normal progression. It wasn't some crazy idea, it was just, "Can we start our own agency? Can we do this?"
I'm literally nowhere yet... When things started going well, this French designer called Ami gave me some shoes and clothes to wear. But when I sat down to play the piano, the very new shoes kept slipping off the pedal. So I took them off, threw them away, and have never worn shoes while playing the piano from then on.
The whole 'Djesse' project is, like, the paramount example of something that has evolved alongside me creating it. It started as one album, and then I realized that I had too many ideas for just one album.
I started by looking at what others had done before me. You see, over the years there have been attempts by many different people to reconstruct the chariot.
It was many years ago when I started shooting and I took it up as a complete hobby and a pastime.
I started many years ago using the Boss DS-1 and then graduated to the Satchurator and putting that right into that clean channel, and that sounds great. I've done many tours with that setup. Then we took the next two channels that were part of the JVM sound in channel 1 and made them a little more subtle.
I was a young man with uninformed ideas. I threw out queries, suggestions, wondering all the time over everything; and to my astonishment the ideas took like wildfire. People made a religion of them.
MMA started in the U.S. 16 years ago but not many knew about it in India. So, with my brother Sanju, we took the lead to bring it here.
When I was in fourth grade, I started writing a lot of poetry, and eventually, someone in the church was like, 'You should switch this over to rapping.' I went home and did that - started putting my poems over rap.
Who made me laugh when I was growing was Chaplin and the Marx Brothers, and then moving on, there were so many that I was a writer for for many years: I was a writer for the Smothers Brothers, Lily Tomlin, then I started on 'Saturday Night Live' as the head writer the first year we started it.
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