A Quote by Walter Cronkite
I sort of think in a way that many of us young reporters who had the opportunity to go overseas for our organizations were kind of, in a sense, war profiteers. We were enhancing our careers while covering that terrible conflict.
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The reason why many young people in the Vietnam War era were active was their lives were threatened by the draft and they were going to perhaps be forced to go overseas and fight in an immoral war.
After the tragedy of 9/11 we were on our way to becoming a fledgling Matriotic society until our leaders jumped on the bandwagon of inappropriate and misguided vengeance to send our young people to die and kill in two countries that were no threat to the USA or to our way of life. The neocons exploited patriotism to fulfill their goals of imperialism and plunder. This sort of patriotism begins when we enter kindergarten and learn the nationalist 'Pledge of Allegiance'. It transcends all sense when we are taught the 'Star Spangled Banner', a hymn to war.
I'm really glad that our young people missed the Depression and missed the great big war. But I do regret that they missed the leaders that I knew, leaders who told us when things were tough and that we'd have to sacrifice, and that these difficulties might last awhile. They didn't tell us things were hard for us because we were different, or isolated, or special interests. They brought us together and they gave us a sense of national purpose.
My parents were adherents of the Baha'i faith, which is sort of, I can't think of the best way to describe it, but it sort of has the same relationship to Islam that Christianity has to Judaism, and it's a kind of a universalist creed and missionaries aren't paid. You're essentially expected to go out and find a job and do your own thing, and in your spare time spread the faith, and so that was the driving force of us going overseas.
Little brother, I don’t mean to be a downer, but we’re talking about War here. There’s no way to mitigate damages. He won’t let us. I was there with twenty-five Chthonians to fight him and he spanked our hides like we were Lemurian slave women. Two of us had our hearts ripped out and shoved down our throats while he laughed, then he licked the blood clean from his fingers and came at the rest of us. (Savitar)
Late one afternoon when returning from town we were met by a few women and children who told us that Mexican troops from some other town had attacked our camp, killed all the warriors of the guard, captured all our ponies, secured our arms, destroyed our supplies, and killed many of our women and children.. when all were counted, I found that my aged mother, my young wife, and my three small children were among the slain.
Our parents all experimented with raising us in a fairly loose, unorthodox way. A huge emphasis was placed on creativity, and our artistic efforts were never dismissed as childish. There was a sense that we - kids and grown-ups - all had the potential to make something of value. Our drawings were not simply destined for the refrigerator.
I think initially, our audiences were filled with young men. You know, our initial audience was a lot of young guys who I think were trying to - who you played a bit of a big brother role for and were trying to sort out a lot of the same things right - soon as "Born To Run" hit, you know? So it was something that I worked pretty hard on.
He knew that we gave constant lip service to the dictates of safety and howled like Christians condemned to the arena if any compromise were made of it. He knew we were seekers after ease, suspicious, egotistic, and stubborn to a fault. He also knew that none of us would have continued our careers unless we had always been, and still were, helpless before this opportunity to take a chance.
All the technology of our production was still pre-War. They were sort of '38, '39 and the War had been stable and so we were infinitely behind whatever had been going on in the United States for instance.
You see that even the enemy did not dare to declare war against us till they had seized our generals, for they were sensible that, while we had commanders and yielded obedience to them, we were able to conquer them; but, having seized our commanders, they concluded that we should, from a want of command and discipline, be destroyed.
I realized that most white Americans knew very little about our history and our struggle, and were having difficulty understanding the basis for our agitation and our resistance and our complaints. I also discovered that while black Americans had a sense of the beauty and tragedy of the journey from the time of slavery until now, we were not rooted in the specifics. I thought one way to familiarize people with that history would be through the voices of the great folk artists.
While there's currently great turmoil, there is even greater opportunity for US to work together to transform our community. Far too many of our children are fatherless, far too many of our mothers are standing in the prison waiting rooms and far too many of our young people feel hopeless.
I mean, in many ways, you know, I felt very connected to Ian (Dury) on, on a lot of levels. I mean, politically, & sort of, socially, our, kind of, social backgrounds are quite similar in many ways, as well as our kind of artistic endeavors. So there were many, many things that sort of chimed in for me, and kind of made me feel very instinctive about playing him, and, and although, there was sort of a certain amount of impression involved, actually, there's a lot of myself in the role.
War is a barbaric tool of the war profiteers and Empires who employ them. War pits young people from the working class against other similarly poor, or disadvantaged humans, for nothing but the greed of the few. Only we the people can make war obsolete by not participating in the profound crimes of the profiteers and other war mongers.
The only people who really love the '80s are millennials. We had Reagan and Bush for our entire youth, the culture was terrible, the fashions were terrible, the movies were terrible.
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