A Quote by Walter de La Mare

Slowly, silently, now the moon 
 Walks the night in her silver shoon. — © Walter de La Mare
Slowly, silently, now the moon Walks the night in her silver shoon.
There was just one moon. That familiar, yellow, solitary moon. The same moon that silently floated over fields of pampas grass, the moon that rose--a gleaming, round saucer--over the calm surface of lakes, that tranquilly beamed down on the rooftops of fast-asleep houses. The same moon that brought the high tide to shore, that softly shone on the fur of animals and enveloped and protected travelers at night. The moon that, as a crescent, shaved slivers from the soul--or, as a new moon, silently bathed the earth in its own loneliness. THAT moon.
The moon, the moon, so silver and cold, Her fickle temper has oft been told, Now shade--now bright and sunny-- But of all the lunar things that change, The one that shows most fickle and strange, And takes the most eccentric range, Is the moon--so called--of honey!
I could distinguish the shape of her bosom, her arms, her thighs, just as I remember them now, just as now, when the Moon has become that flat, remote circle, I still look for her as soon as the first sliver appears in the sky, and the more it waxes, the more clearly I imagine I can see her, her or something of her, but only her, in a hundred, a thousand different vistas, she who makes the Moon the Moon and, whenever she is full, sets the dogs to howling all night long, and me with them.
In the night the cabbages catch at the moon, the leaves drip silver, the rows of cabbages are a series of little silver waterfalls in the moon.
The harvest moon has no innocence, like the slim quarter moon of a spring twilight, nor has it the silver penny brilliance of the moon that looks down upon the resorts of summer time. Wise, ripe, and portly, like an old Bacchus, it waxes night after night.
Now came still evening on, and twilight gray Had in her sober livery all things clad; Silence accompany'd; for beast and bird, They to their grassy couch, these to their nests, Were slunk, all but the wakeful nightingale; She all night long her amorous descant sung; Silence was pleas'd. Now glow'd the firmament With living sapphires; Hesperus, that led The starry host, rode brightest, till the moon, Rising in clouded majesty, at length Apparent queen unveil'd her peerless light, And o'er the dark her silver mantle threw.
Silent night, holy night, when the bough flies from the tree and is hung everywhere, when from tables the crusts fly, when the gifts begin to tremble because lovelessness walks through the world, because it snarls at you, barks at you from the snow, and the silver ribbons rip and the tinsel rustles silvery, and the silver and gold, and a golden word come to you on which you choke because you have been sold and betrayed, and because it does not suffice that for you one is redeemed who once died.
And then I feel as if I'm witnessing a miracle, as ever so slowly she raises her face towards the moon. I watch her drink in the sight, sensing the flood of memories she's unleashed and wanting nothing more than to let her know I'm here. But instead I stay where I am and stare up at the moon as well. And for the briefest instant, it almost feels like we're together again.
So, now I shall talk every night. To myself. To the moon. I shall walk, as I did tonight, jealous of my loneliness, in the blue-silver of the cold moon, shining brilliantly on the drifts of fresh-fallen snow, with the myriad sparkles. I talk to myself and look at the dark trees, blessedly neutral. So much easier than facing people, than having to look happy, invulnerable, clever.
At night, the moon, a pregnant woman, walks cautiously over the slippery heavens.
God speaks to each of us as he makes us, then walks with us silently out of the night.
I love to watch the fine mist of the night come on, The windows and the stars illumined, one by one, The rivers of dark smoke pour upward lazily, And the moon rise and turn them silver. I shall see The springs, the summers, and the autumns slowly pass; And when old Winter puts his blank face to the glass, I shall close all my shutters, pull the curtains tight, And build me stately palaces by candlelight.
Then sleep the seasons, full of might; While slowly swells the pod, And rounds the peach, and in the night The mushroom bursts the sod. The winter comes: the frozen rut Is bound with silver bars; the white drift heaps against the hut; and night is pierced with stars.
It was her first book, an indigo cover with a silver moonflower, an art nouveau flower, I traced my finger along the silver line like smoke, whiplash curves. ... I touched the pages her hands touched, I pressed them to my lips, the soft thick old paper, yellow now, fragile as skin. I stuck my nose between the bindings and smelled all the readings she had given, the smell of unfiltered cigarettes and the espresso machine, beaches and incense and whispered words in the night. I could hear her voice rising from the pages. The cover curled outward like sails.
A guy walks into a bar, orders a drink, sees a girl that catches his eye. Asks her if she wants another, they fall for each other and end up lovers. They laugh, cry, hold on tight and make it work for a little while, then one night her taillights fade out into the dark. And a guy walks into a bar
He will kill mice and he will be kind to babies...but when the moon gets up and the night comes, he is the Cat that Walks by Himself.
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