A Quote by Wangechi Mutu
I've always loved the idea that you think you know what you're looking at from a distance, yet when you come up close, it gets intricate and nutty and obscene and provocative.
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Perhaps there is such a thing as obscene sex, but I know that violence is always obscene. So I don't get it, that you can disembowel a woman but you can't see her tits. Who made that up? That's sick!
Nutty people are always writing me. I always think I must be on some nutty mailing list.
...I always feel it's necessary to look at my images from two distances. Here is my criterion: If I can look at it from a distance and then come up close but find nothing more to see, it's printed too large. It's not giving me any new information when I come up to it.
From a distance it might look straight, but when you get close up, you can always see the line waver. And I think that's where the beauty is.
I got these big coffee table books about Chinese opera from the local library, and I loved looking through them. I loved studying the intricate costumes and figuring out how to 'cartoonify' them.
I hate the idea that you have to give up anything. I think you can be powerful and still be provocative, you can be smart and have a softness, you can have all of it.
It's about how you're like a lighthouse, always searching far into the distance. But the thing you're looking for is usually close to you and always has been. That's why you have to look within yourself to find answers instead of searching beyond.
It's like losing a son because I loved Michael and Michael loved me. But you know, as when people grow up and they make their own decisions and they move forward, there's a distance, and I think that Michael in some cases might have gone too far with some of the things he was doing.
Just finding ways to be not provocative for provocative's sake, but to show an idea that hasn't been shown before, I mean that's interesting to me.
I think all poems are commissioned. They just come to me without somebody outside commissioning them. The idea comes and I will live with them 'til I get it as close to what I mean. I've never been totally satisfied. I've come close a few times.
Fashion was always in me! The incentive to just get up and start my day by looking for an outfit to walk outside and look good, it was always in me. I think my parents and my family, my sister - when I was young, they always cared about, you know, looking good. My parents, they know how to dress.
I don't think I ever had a morning where I woke up and said I'm going to be a professional poet. I know I've always loved poetry, I've always loved writing poetry and I've always loved sharing poetry. I've also always known that I wanted that to somehow be a very large part of my life and I'm very fortunate that it's such a large part of my life.
I think the idea of fact-checking, I think the idea that you come up through a system where you know how to cover night cops, and then you go on, and you go on to various beats, including writing obituaries, and you get names right, you know how to spell them, really has some advantages to it.
The human body is not obscene, sexuality is not obscene. But it [pornography] is not sex, it is violence. It encourages acceptance of the idea that violence is a legitimate part of sexuality.
I developed a nutty attitude where I'd think, If some guy really loves me he doesn't care if I'm fat. I'd come up with all these stupid reasons why it would be OK to be fat.
If your opponent is at a distance, kick him in the groin. If he gets close, poke him in the eyes, bring up your knee, pop him with an elbow, dig a corkscrew punch to his stomach.
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