A Quote by Warren Gatland

In some ways the players are no different to kids as you've got to set boundaries and you've got to work within those boundaries. If you work hard and you do everything that's asked of you, there's great reward afterwards.
I enjoy having some boundaries to work within. That's why I generally don't like alternate tunings and stuff like that. I like the boundaries of regular tunings.
Different players play you different ways. Some players might be slow-footed so they got to backup. Some players might push you up. You've got to have a go-to that's a mix for both of them.
When people show you their boundaries ("I can't do this for you") you feel rejected...part of your struggle is to set boundaries to your own love. Only when you are able to set your own boundaries will you be able to acknowledge, respect and even be grateful for the boundaries of others.
There are many ways to go about a story. And if you give yourself some formal constraints, it just makes the job so much - maybe 'easier' isn't the right word, but because you know your boundaries, you can just play within those boundaries much more, so it's much more fun to do.
I got to work for some great administrators at great institutions, and I had an opportunity to coach great players. Iowa is no different.
The oppression of women knows no ethnic nor racial boundaries, true, but that does not mean it is identical within those boundaries.
I create a guise or a band that I can operate within, and within each one of those bands, I've got an M.O. or a set of rules and parameters I can work within.
I think we were just coming out and being ourselves, instead of operating within boundaries that other people had created. We decided to do away with those boundaries.
All I can do is work hard, prepare the players properly, give them everything I've got and they give me everything they've got.
The boundaries became constrictive in what I was doing, and if my faith grew, it was because I pressed some of the boundaries in ways I hadn't felt comfortable or responsible doing that before.
That's what all art's about - a sense of moving away from boundaries that you can't in real life. Like a dancer is always trying to fly, really - to do something that's just not possible. But you try to do as much as you can within those physical boundaries.
As you get older and as you experience and go through different things you realize you have to set boundaries. You have to for your life. You have to say this is OK and this is not OK. This is what I do for a living and this is my life. It's the only one I get and so I have to set boundaries.
Working from home as a mother is the worst of everything. You don't have clear boundaries. The kids can get used to you going to work; they can't get used to you ignoring them. And work sometimes gets the message you're not as committed.
If you're willing to put in the work, the idea is that you should be able to raise a family and own a home, not go bankrupt because you got sick, 'cause you've got some health insurance that helps you deal with those difficult times; that you can send your kids to college; that you can put some money away for retirement. That's all most people want. Folks don't have unrealistic ambitions. They do believe that if they work hard, they should be able to achieve that small measure of an American dream.
What is a struggle is that acting isn't a place where you go to work and you do that thing. There aren't set boundaries, like an office, where you go and work. For me, the work is always on my mind.
I think being born in America and growing up exclusively within the American boundaries of race and race oppression is a very different experience for those of us who grew up under the boundaries of race and race experience in the Caribbean or for those who grew up in Africa.
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