A Quote by Wayne Coyne
I am not that thrilled about the way our records sound anyway. Don't get me wrong, I work hard on them and I want them to sound fantastic but I'm happy to have another interpretation of them anyway.
Related Quotes
People who care about records are always giving me a hard time. I mean, I would destroy records in performances, and break them, and whatever I could do to them to create a sound that was something else than just the sound that was in the groove.
I like to sort through music and see whatever pops out to me or inspires me. If I could have a production team going and kind of mix records with me, that would be cool; to take the records and have them sound the way I want them to sound. But I'd rather sort though music to find them things.
That Mississippi sound, that Delta sound is in them old records. You can hear it all the way through.
The fact remains that getting people right is not what living is all about anyway. It's getting them wrong that is living, getting them wrong and wrong and wrong and then, on careful reconsideration, getting them wrong again. That's how we know we're alive: we're wrong.
I work very hard on all my poems, but most of the work consists of trying not to sound as if I had worked. I try to make them sound as natural as possible, but within a quite strict form, which to my ears has a lot to do with musical rhythm and sound.
I never want to go back and remix old records, either. If a record sounds shitty, that's just the sound it has. I just take it as part of the music. Some of my favorite bands - their old records sound terrible. But that's just part of the sound. If they were perfect, I'd probably hate them. Same thing with movies.
We're all about exploring new sounds, so we don't have any limits whatsoever about how we go about finding them. We do tend to sample human vocals or sample sounds, which allows you to create your own sound. That's not our only way obviously, but that's a way you can use a sound no one's used before; it's not a sound in the synth. There's a lot of that going on in our songs in general.
Fashion bloggers will do their work; it's their job. So let them do it. I am not doing something to make them happy or to get friendly with them so that they write good stuff about me.
Unlike someone like Tom Hanks, or U2, the comics industry is not a thriving industry and we all need to keep and expand our audience. The best way to do that is to keep the fans we have happy and to keep them excited about our next projects so they'll keep following our work. The best way to do that is to continually engage them in conversation. I don't mean to sound flippant by any means. We're not being nice to our fans because we have to.
People are unreasonable, illogical and self-centered. Love them anyway.... Honesty and frankness make you vulnerable. Be honest and frank anyway.... What you spend years building may be destroyed overnight. Build anyway. .. Give the world the best you have and you'll get kicked in the teeth. Give the world the best you've got anyway.
The bells which toll for mankind are - most of them, anyway - like the bells of Alpine cattle; they are attached to our own necks, and it must be our fault if they do not make a cheerful and harmonious sound.
I am against changing my body to become better. I am not against implants, I have a lot of girlfriends who have them, but the implants look good on them. I am never gonna get them, once I have kids they are gonna get bigger anyway.
As soon as they say I don't sound as good as my old stuff, I tell them, "I would never sound as good as I first sounded, because you guys didn't know who I was. Being that I'm in rotation, you guys are getting used to the sound, so now you expect another track and another track, but it never happens again, no matter how hard I try."
People do ask me for advice for some reason. And I'll just kind of pose it back to them and let them answer on their own. I never like to give my advice 'cause I don't want them to come back and 'You were wrong! You ruined my life!' so it's more about 'Hey, this is what you just told me. What does that sound like to you?'
The center for me is my heart, actually, and my emotional connection with the work. That's where authenticity comes from. It's also the first thing that hits me about other people's work, or watching other people perform, "Do I believe the person?" Even if I don't like what someone is doing or if I don't like the sound, if I believe them, I do like them. I am able to appreciate them as an artist.
I know I have patterns and I've always tried hard to avoid them. There are definitely certain things in my music, if I'm looking back, "Well, that was a period where I was experimenting with a certain kind of chord structure or a certain kind of sound." I've tried really hard, but I'd be hard pressed to tell you what that sound, what that tangible sound of "me" is.
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