A Quote by Wayne McGregor
'Entity' is not about science. The process behind it may dictate the nature of the piece, but it's not like a dance about Einstein where I'm trying to convert his ideas into movement and communicate that to an audience.
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Science is a process for learning about nature in which competing ideas about how the world works are measured against observations.
My elections are really not about campaigns. I tell my people that these are about a movement. And a movement to do what? To restore common sense. A movement to do things like provide economic growth. And a movement not to let anybody be behind.
On stage, I'm always nervous, but there is so much adrenalin, too. It's strange because I have to turn my back on the audience, and my audience is the orchestra. I communicate my energy to them, and they communicate it to the audience behind me!
A. Douglas Stone, a physicist who has spent his life using quantum mechanics to explore striking new phenomena, has turned his considerable writing skills to thinking about Einstein and the quantum. What he finds and makes broadly understandable are the riches of Einstein's thinking not about relativity, not about his arguments with Bohr, but about Einstein's deep insights into the quantum world, insights that Stone shows speak to us now with all the vividness and depth they had a century ago. This is a fascinating book, lively, engaging, and strong in physical intuition.
I think that one thing about teaching is you're trying to communicate your thoughts about a work to a group of people who may or may not share that sentiment. This has forced me to become a lot more articulate about what I respond to and what I don't respond to in fiction.
Having lasted for 4,000 years, the use of nature's materials to express ideas about nature may be expected to continue. The best garden designs are produced with an awareness of the art, science, history, geography, philosophy, social habits and construction techniques of their period.
If you start trying to communicate ideas, I think you don't allow the audience to see themselves.
I have had a variety of ideas, and I have thought about opening a dance studio. I am very passionate about dance. There are not many dance studios where I live.
To have a platform like So You Think You Can Dance, where you're reaching this audience that's been created over the 10 years that they've been on the air. People who didn't know anything about dance and aren't going to go to the theater are learning about it, even if it's ballroom and jazz, by just turning their television ono. They're building this audience that's advanced and educated enough to introduce them to ballet.
My father was a mailman. His father was a coal miner. My mother's mother could barely speak English. And their son today stands on this podium in the great state of Ohio not only as the governor, but a candidate for president of the United States.I do believe in miracles.I've had a lot of elections. But my elections are really not about campaigns. I tell my people that these are about a movement.A movement to do things like provide economic growth. And a movement not to let anybody be behind.
I don't understand choreographers who say they don't care about the audience or that they would be happy to present their works non-publicly. I think dance is a form of communication and the goal is to dialogue with the audience. If an audience member tells me they cried or that the dance moved them to think about their own journey or a family member's, then the work is successful.
If you thought you were trying to find out more about it because you're gonna get an answer to some deep philosophical question...you may be wrong! It may be that you can't get an answer to that particular question by finding out more about the character of nature. But my interest in science is to simply find out about the world.
I'm always thinking about story, and the development of ideas or images, so with all types of media, I'm simply trying to communicate the feelings and ideas in the story or characters in the most appropriate and effective way.
There's no thinking involved in my choreography... I don't work through images or ideas. I work through the body... If the dancer dances, which is not the same as having theories about dancing or wishing to dance or trying to dance, everything is there. When I dance, it means: this is what I am doing.
I discovered Einstein said the same thing about his celebrated theories of relativity that writers say about their work when he said he didn't have any feelings of personal possession of these ideas. Once they were out there, they came from somewhere else. And that's exactly the feeling when you write. You don't feel possessive about it.
I think a lot of times when people hear the word dance, they think 'oh, that's something that I can't do.' But dance really lives in our bodies and the thing that I've come to learn, embrace and lift up is that we have history in our bodies that's living and breathing. We have our own individual history but we also have our heritage. Each one of us has our movement language and it's about tapping into that and pulling that out. That's the thing that I try to encourage everybody because it's not about dance, it's about the movement and the gesture and how we honor it.
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