A Quote by Wes Borland

Limp Bizkit is my main priority, but my side project, Black Light Burns, is still a labor of love. We have a record written, so we'll see when that comes out. When we tour, we go out in a van and trailer with me driving.
I could have probably gone on and still played the part of the guitar player of Limp Bizkit, but musically I was kind of bored. If I was to continue, it would have been about the money and not about the true music, and I don't want to lie to myself, or to them or to fans of Limp Bizkit.
I really like LIMP BIZKIT. I mean, I've said it for years - I don't know if anyone actually hears it - but I think LIMP BIZKIT are an awesome band. In terms of the rap-rock bands, or ANY bands out there, I think they really are truly among the best.
I've accepted the fact that Limp Bizkit is my band, one that I'm a part of, a band that I've built from the beginning. It does me no good to be in somebody else's band playing their music, like Marilyn Manson or Korn. Being in Limp Bizkit allows me to be myself.
Living a happy life is my main priority. You guys may think I am selfish for "wasting my talent" by staying away from events for a bit, but I am finally at a comfortable place where I can honestly say, if you guys see me out on tour again it's because I am there to win, and I'm going to go 100%.
Fred Durst gave my first wife a tattoo of a star on the bottom of her foot when she was 14 years old in his trailer home. So that was my first introduction to Limp Bizkit.
When you make a record and have to go out on tour for it, you have to go out on tour for it. Whether it's going to be joyful or not, you have to do it.
Nine Inch Nails was born out of Cleveland, Ohio, with me and a friend in a studio working on demos at night. Got a record deal with a small, little label, went on tour in a van, and a couple years later found that somehow we touched a nerve, and that first record resonated with a bunch of people.
Man, I love Limp Bizkit, Johnny Lange, many people.
I love tour, but I don't like traveling at night or driving long hours. But I love touring. If my kids could be out there full time, I'd probably never go home.
When Wes came back to Limp Bizkit, we really wanted to do something different. We wanted to make a core record that we didn't care who liked or who disliked.
In a world of bands called Limp Bizkit and Hoobastank, Electric Sheep rolls off the tongue like a Shakespearean love sonnet. Leave me alone.
Traditionally the show must go on which is a stupid thing to say, but that in a nutshell is what's going on. We have a new record out; if we won't tour, the new record dies. It's reality - it's what business is nowadays. You just need to tour to sell your albums.
The live thing is separate from the record for me. I have to figure out a way to make the songs work live. It's always going to be different than it is on a record, because every record I've made, there are people playing parts on there that are not going to be coming on tour with me. As much as still feeling connected to it, it's more like rediscovering.
There was a perverse side of me, with things like Van Helsing coming out. I didn't want to go down that route.
I had a solo career before Van Halen. My fan base filtered through Van Halen with me and came right on out the other side with me.
I'm kind of like a black unicorn out there. It's amazing to watch. You go out there and you see a big, black guy running down the field, it's usually me.
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