A Quote by How to Dress Well
The interesting thing about doing press is that I learn what the album is about - I now know, a year later, looking back, what was on my mind at the time.
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One thing that was frustrating to us, always, was having to do so much press building up an album, and you're asked so many questions about, you know, is it more melodic, is it heavier, are you doing your old stuff, is it new?
The thing about being an artist is that you evolve so quickly, you grow, you learn, you change, you find yourself hating work that you made months prior. That's the hard part about making an album, but every couple days I fall asleep listening to my album front to back and I lay there feeling so proud of what I did.
Remember this: Now is the only time you have. When God created the universe, it was now. You can't say to creation and energy, "I'll do it later, not now." Later doesn't exist. Creation doesn't know anything but now. Whenever you get around to doing what you want to do, it will be now. The things you need to do to live a happier, more fulfilling life-the only time you can possible start doing them is now.
I remember looking at my iTunes and was like, 'I haven't listened to an album in about three months.' What happened? I was once an 18-year-old kid who would just devour everything and want to know everything about every member of every band I liked. It became this thing where I hated the idea of music, and I didn't know if I wanted to make music.
I love to learn. But just going back into school because of what I do I'm so set in this path that I'm on right now and I'm so excited about it and I love doing it so much that I like to focus myself on one thing at a time.
The thing about writing or making art is that I'm not thinking about that stuff while I'm doing it. Like the driver's ed kid, in retrospect I see that that was meaningful, and I felt close to him in that way, but at the time I just thought it was fun to draw, and that's all it was. I think that's what's weird about life and about making art. You have to talk about it later. I guess I should be prepared to talk about it now. That is why I'm here. But again, pass.
Looking back is a way to sharpen the focus on the things you want to change in your life. I think there's something about nostalgia that really puts a fine point on the here-and-now, and that can be incredibly fascinating and interesting and engaging for the mind.
I was in Australia in about 1996 when I played some acoustic guitar for some guys at a studio down there. They were pretty happy with it, and mentioned doing an album, so about a year later I met some people who were interested in recording.
People say to me, 'You don't seem that interested in interviews.' Well, you know, I'm not, often. I'm not going to talk tactics with the press, so you are left with talking about how you are feeling; for me, it is not the most interesting thing to be doing.
I'm doing all these interviews with the British press, the Italian press, and others. They all want to talk about this stuff. I don't have a stance; I don't have a go-to thing to say about any of this.
The interesting thing about something in the back of your mind is that it can travel pretty far back in your mind.
Each thing leapfrogs. I do a Genesis project - like now, we're just finishing off an album - and then by the time the album is doing its thing, I could do nothing or I could do a film.
You know... the wonderful thing about Dark Shadows, the thing about going and looking back at it. It was so sucsessful at creating its own world.
I've just recently started doing the promo bits for the new album, and the funny thing is that the people who come to talk to me about these things seem to be getting younger. It's like the people who like the music are all young kids and they're on top of you - they know all about what you're doing, and they're excited and animated about it. So it's a lot of fun.
I got a letter one day from somebody saying, `You're always criticizing the press. Why don't you talk about what Clay Felker is doing to your own paper [The Voice]?' And my 10-year-old son Tom, now with Williams & Connelly, put in a legal opinion, not - an opinion from the back of the car saying, `You know why? What are you, afraid?' So I wrote the column. I - you know, - the column simply said that Felker is destroying this paper.
Because Led Zeppelin weren't having to worry about doing singles, each time we went in to record, it was a body of work for an album. So you could get the shift and the movement forwards as opposed to having to be rooted back to a single that might have been done a year ago.
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