A Quote by William Atherton
Whenever you do a movie, it's a culture shock. Who is it? Where are you? What are you doing? Who are these people? Where are you going now? It's kind of like how somebody describes private flying: It's hours of monotony punctuated by moments of stark terror. That's what it's like anywhere in the world, whether you're in Texas or Bucharest.
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Turning fifty ... is like flying: hours of boredom punctuated by moments of sheer terror.
I think baseball represents something closer to our experience. There's no clock in baseball; it's not over until it's over. It's like life in that there are prolonged periods of boredom and monotony, punctuated by intense moments of excitement and sometimes terror.
Like the experience of warfare, the endurance of grave or terminal illness involves long periods of tedium and anxiety, punctuated by briefer interludes of stark terror and pain.
Airline travel is hours of boredom interrupted by moments of stark terror.
You can describe my round as having moments of ecstasy and stark raving terror. I looked like I knew what I was doing at times and at other times I looked like a twenty handicap player.
When I got divorced, it was another culture shock. It was going from this world I had been into since the age of 16 to literally standing on the streets of New York in kind of shock.
I went from living in the Dominican Republic - every day, my mom and I would cook, or we'd go hang out with the kids - to flying a private jet to Chicago with Zac Efron and Dennis Quaid. People had champagne, and they were going to these amazing restaurants. It was a culture shock. It's important, I think, to have that. To see both sides.
The main trend with the theme episodes is that anywhere there is a misconception about the way the physical world works, we're finding fertile material. Whether it's in a phrase like "going over like a lead balloon" or "a needle in a haystack," or tackling movie myths or even a genre, like MacGyver or James Bond, we're finding that all these things can lead to people believing the world works in a certain way. It might not be correct, but we can test out if it's true.
Then you have these people in the movie theaters that talk the whole time during the movie. You ever go with somebody like that to a movie but you don't realize until you get there that you're with somebody like that? Brand new movie. First day it's open. You're there together and the entire time they're sitting there: Where's she going? Why'd he do that? Is he mad at her? I don't know, let's watch and find out together shall we? You know who you are. You're denying it right now: I do not do that. Why is she saying that?. What's she gonna say next?
I don't believe in life after death. But I still enjoyed the idea of doing a movie that would portray that collective dream, that collective need. Like flying saucers are a collective need for people who need to believe in flying saucers. You don't need to believe in flying saucers to do a movie about Martians or flying saucers.
The culture is just so coarse that you have to take it to that level and people will be like, 'Whoa!' And then you can make people think about stuff. It's kind of like shock therapy.
Liberals create a world that's not real. They create a world where it's impossible to be obedient. It's impossible to go through the day not violating some precious liberal tenet. And, as such, they end up getting rid of people. So somebody like Trump comes along and it's culture shock, it's all kinds of things. And a guy like Trump would not be permitted in polite Washington society.
Our culture is making a big difference and, whether it's our curries or movies like "Slumdog Millionaire" or whether it's just the Bollywood numbers to which a lot of the world is rocking, I think India's soft power is going up. And we are contributing a lot of entrepreneurs to the world as well whether it's people like Lakshmi Mittal or Indra Nooyi or thinkers like Amalti Singh. This is all happening because of there's something fundamentally right and thoughtful about Indian society.
As for the Folsom Prison show, ... would anybody have the guts to do that show now 50 Cent, maybe I think the whole idea of even playing to a crowd of people like that is so politically unfavorable now - it's like, 'What are you doing, singing for these people Do they deserve it' There's such anger in our culture right now, that kind of grace and forgiveness, we don't see that very often.
Considering you are pretty much like this the whole time whether you're onstage, whether you're in the van, whether you're eating, whether you're in the hotel room. So everyone has their moments and you kind of learn to respect people's space when they're not in a good mood.
The Hispanic culture is finding its way into the American culture. Places like Miami are going to be centers for that influence - places like Los Angeles and, certainly, cities in Texas.
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